Who that has passed at night through one of the great junctions on the
Upper Indian railways, say Saharampur or Umballa or Delhi, can ever
forget such sounds and sights of pandemonium? Or who would care to miss
during the daylight hours the open window on to the kaleidoscopic scenes
of Indian life at every halt? Here a turbaned Rajput chief with his
whiskers fiercely twirled back under his ears descends from the train to
be greeted and garlanded by a throng of expectant retainers who look as
if they had stepped straight out of an old Moghul picture. Or a fat and
prosperous Mahomedan _zemindar_ in a gold-embroidered velvet coat and
patent-leather boots struts along the platform convoying his fluttering
household of heavily veiled ladies, all a-twitter with excitement, to
the _purdah_ carriage specially reserved for them. Or a band of
mendicant ascetics, their almost naked bodies smeared all over with
fresh ashes and the trident of Shiva painted on their foreheads, return
with well-filled begging-bowls from some favourite shrine. Or an excited
crowd, all wearing the little white Gandhi cap, rend the air with shouts
of _Mahatma Gandhi-ki jai!_ in honour of some travelling apostle of
"Non-co-operation." And all over India the swarm of humbler travellers,
who lend their own note of varied colour even to the smallest way-side
stations, seems to increase every year, whether one crosses the vast
drab plains of Upper India or climbs the steep face of the Western Ghats
on to the sun-scorched plateau of the Deccan, or is unmercifully jolted
through the gentler and more verdant landscapes of Southern India.
Public-domain text, read in full here on John Shaqi.
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