India Through the Ages: A Popular and Picturesque History of HindustanSteel, Flora Annie Webster
History
India Through the Ages: A Popular and Picturesque History of Hindustan
Steel, Flora Annie Webster
India -- History
A worthy old scholar, criticising the king's penmanship, pointed out a
fault. He, smiling, erased the word, but when the critic was gone,
began to restore it, remarking that it was right, but it was better to
spoil paper than the self-confidence of an old man.
He died, after a long illness, in A.D. 1266, and thereinafter
Ghiâss-ud-din the _wazîr_, who had married a sister of Sultana
Râzia's, ascended the throne, possibly in the absence of more direct
heirs. He must have been nearly sixty at the time, for he died
twenty-one years after in his eightieth year.
He also was a Turki slave, first employed as falcon-master by
Altâmish, who promoted him again and again; wherefore, Heaven knows,
for history gives us but a poor character of him. He appears to have
been a pious, narrow-minded, intolerant, selfish tyrant, with a
hypocritical dash of virtue about him which took in his world
completely. Circumstances also aided him in posing as perfection; for
about this time the Moghul invasion had reached the western
borderlands, and hundreds of illustrious and literary fugitives
crowded thence, to find in Delhi the only stable Mahomedan government.
These, flattering and fawning, helped to noise his fame abroad as a
paragon. Then the son of his old age, Prince Mahomed, was a potent
factor in his popularity. The apple of his father's eye, he seems to
have been an Admirable Crichton, and his death, in the moment of
victory, not only "drew tears from the meanest soldier to the
General," but came as a final blow to the old king, "who was so much
distressed that life became irksome to him."
This great affection between father and son--for "Prince Mahomed
always behaved to him with the utmost filial affection and duty"--is,
indeed, the one human interest of a life devoted to pious pretences,
to pomp and pose.
His grandson Kêik-obâd came to the throne at his death, and promptly
gave the reins to pleasure and the guidance of public affairs to his
_wazîr_. He succeeded in painting Old Delhi very red indeed during his
short reign of three years. "Every shady grove was filled with women
and parties of pleasure, every street rang with riot and tumult; even
the magistrates were seen drunk in public, and music was heard in
every house."
His minister kept him at this task also; for, perceiving a faint check
in the pursuit of pleasure, he "collected graceful dancers, beautiful
women, and good singers from all parts of the kingdom, whom he
occasionally introduced as if by accident."
So, finally, the three-year-old Prince Keî-omurs--the only child of a
miserable father who was now paralytic--was smuggled out of the harem
to be King-designate, while the wretched, debauched, half-dying man
had his brains beaten out with bludgeons while he was lying on his bed
helpless; and so, battered out of all recognition, his body was
hastily rolled up in the bed-clothes, and flung through the window
into the sliding river.
Public-domain text, read in full here on John Shaqi.
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