monsters, is certainly not supported by Scottish evidence; Scotland swarms with giants and hags of mountain, ocean, and river, although it has not yielded any great skeletons or even a single artifact of the Palæolithic Age. Giants and fairies are creations of fancy. Just as a highly imaginative child symbolizes his fears and peoples darkness with terrifying monsters, so, it may be inferred, did primitive man who crouched in his cave, or spent sleepless nights in tempest-stricken forests, conceive with childlike mind of demons thirsting for his blood and giants of wind and fire intent on destroying the Universe. [125] Dasyu and Dasa are “applied in many passages of the _Rigveda_ to superhuman enemies”. The colour reference in Dasa is probable, but it is also used in other senses. For a full discussion on conflicting views regarding Dasyu and Dasa see _Vedic Index of Names and Subjects_. Macdonell and Keith, vol. i, pp. 347-9 and 356-8. In India, as elsewhere, the folk of the spirit world might woo or be wooed by impressionable mortals. A Gandharva related to Arjuna, the Pandava prince, by whom he was defeated in single combat, the “charming story”, as he called it, of King Samvarana and the fairy-like Tapati, a daughter of the sun god, Surya. Tapati was of all nymphs the most beautiful; she was “perfectly symmetrical” and “exquisitely attired”; she had “faultless features, and black, large eyes”; and, in contrast to an Apsara, she “was chaste and exceedingly well conducted”. For a time the sun god considered that no husband could be found who was worthy of his daughter; and therefore “knew no peace of mind, always thinking of the person he should select”. One day, however, King Samvarana worshipped the sun, and made offerings of flowers and sweet perfumes, and Surya resolved to bestow his daughter upon this ideal man. It came to pass that Samvarana went a-hunting deer on the mountains. He rode swiftly in pursuit of a nimble-footed stag, leaving his companions behind, until his steed expired with exhaustion. Then he wandered about alone. In a secluded wood he beheld a maiden of exquisite beauty; he gazed at her steadfastly for a time, thinking she was a goddess or “the embodiment of the rays emanating from the sun”. Her body was as radiant as fire and as spotless as the crescent moon; she stood motionless like to a golden statue. The flowers and the creepers round about partook of her beauty, and “seemed to be converted into gold”. She was Tapati, daughter of the sun. The king's eyes were captivated, his heart was wounded by the arrows of the love god Kama; he lost his peace of mind. At length he spoke and said: “Who art thou, O fair one? O maiden of sweet smiles, why dost thou linger in these lonely woods? I have never seen or heard of one so beautiful as thee.... The love god tortures me.” That lotus-eyed maiden made no answer; she vanished from sight like to lightning in the clouds.