Americans -- Italy -- Fiction; Italy -- Fiction; Love stories; Middle-aged men -- Fiction; Midlife crisis -- Fiction
In the ensuing fortnight a great many gaieties besides the Egyptian ball
took place, and Colville went wherever he and Imogene were both invited.
He declined the quiet dinners which he liked, and which his hearty
appetite and his habit of talk fitted him to enjoy, and accepted
invitations to all sorts of evenings and At Homes, where dancing
occupied a modest corner of the card, and usurped the chief place in the
pleasures. At these places it was mainly his business to see Imogene
danced with by others, but sometimes he waltzed with her himself, and
then he was complimented by people of his own age, who had left off
dancing, upon his vigour. They said they could not stand that sort of
thing, though they supposed, if you kept yourself in practice, it did
not come so hard. One of his hostesses, who had made a party for her
daughters, told him that he was an example to everybody, and that if
middle-aged people at home mingled more in the amusements of the young,
American society would not be the silly, insipid, boy-and-girl affair
that it was now. He went to these places in the character of a young
man, but he was not readily accepted or recognised in that character.
They gave him frumps to take out to supper, mothers and maiden aunts,
and if the mothers were youngish, they threw off on him, and did not
care for his talk.
At one of the parties Imogene seemed to become aware for the first time
that the lapels of his dress-coat were not faced with silk.
"Why don't you have them so?" she asked. "All the _other_ young men
have. And you ought to wear a _boutonniere_."
"Oh, I think a man looks rather silly in silk lapels at my--" He
arrested himself, and then continued: "I'll see what the tailor can do
for me. In the meantime, give me a bud out of your bouquet."
"How sweet you are!" she sighed. "You do the least thing so that it is
ten times as good as if any one else did it."
The same evening, as he stood leaning against a doorway, behind Imogene
and a young fellow with whom she was beginning a quadrille, he heard her
taking him to task.
"Why do you say 'Sir' to Mr. Colville?"
"Well, I know the English laugh at us for doing it, and say it's like
servants; but I never feel quite right answering just 'Yes' and 'No' to
a man of his age."
This was one of the Inglehart boys, whom he met at nearly all of these
parties, and not all of whom were so respectful. Some of them treated
him upon an old-boy theory, joking him as freely as if he were one of
themselves, laughing his antiquated notions of art to scorn, but
condoning them because he was good-natured, and because a man could not
help being of his own epoch anyway. They put a caricature of him among
the rest on the walls of their _trattoria_, where he once dined with
them.
Public-domain text, read in full here on John Shaqi.
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