Americans -- Italy -- Fiction; Italy -- Fiction; Love stories; Middle-aged men -- Fiction; Midlife crisis -- Fiction
Mr. Waters seemed to be giving the subject serious attention in the
silence that ensued. "There is this to be remembered," he began, "which
we don't consider in our mere speculations upon any phase of human
affairs; and that is the wonderful degree of amelioration that any given
difficulty finds in the realisation. It is the anticipation, not the
experience, that is the trial. In a case of this kind, facts of
temperament, of mere association, of union, work unexpected mitigations;
they not only alleviate, they allay. You say that she cherishes an
illusion concerning you: well, with women, nothing is so indestructible
as an illusion. Give them any chance at all, and all the forces of their
nature combine to preserve it. And if, as you say, she is so dear to
you, that in itself is almost sufficient. I can well understand your
misgivings, springing as they do from a sensitive conscience; but we may
reasonably hope that they are exaggerated. Very probably there will not
be the rapture for her that there would be if--if you were younger; but
the chances of final happiness are great--yes, very considerable. She
will learn to appreciate what is really best in you, and you already
understand her. Your love for her is the key to the future. Without
that, of course----"
"Oh, of course," interrupted Colville hastily. Every touch of this
comforter's hand had been a sting; and he parted with him in that
feeling of utter friendlessness involving a man who has taken counsel
upon the confession of half his trouble.
Something in Mrs. Bowen's manner when he met her next made him think
that perhaps Imogene had been telling her of the sympathy he had
expressed for her ill-health. It was in the evening, and Imogene and Mr.
Morton were looking over a copy of _The Marble Faun_, which he had
illustrated with photographs at Rome. Imogene asked Colville to look at
it too, but he said he would examine it later; he had his opinion of
people who illustrated _The Marble Faun_ with photographs; it surprised
him that she seemed to find something novel and brilliant in the idea.
Effie Bowen looked round where she was kneeling on a chair beside the
couple with the book, and seeing Colville wandering neglectedly about
before he placed himself, she jumped down and ran and caught his hand.
"Well, what now?" he asked, with a dim smile, as she began to pull him
toward the sofa. When he should be expelled from Palazzo Pinti he would
really miss the worship of that little thing. He knew that her impulse
had been to console him for his exclusion from the pleasures that
Imogene and Mr. Morton were enjoying.
"Nothing. Just talk," she said, making him fast in a corner of the sofa
by crouching tight against him.
"What about? About which is the pleasantest season?"
"Oh no; we've talked about that so often. Besides, of course you'd say
spring, now that it's coming on so nicely."
Public-domain text, read in full here on John Shaqi.
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