Americans -- Italy -- Fiction; Italy -- Fiction; Love stories; Middle-aged men -- Fiction; Midlife crisis -- Fiction
"Pretty creatures, both of them," said the minister, with as fresh a
pleasure in his recognition of the fact as if he had not said nearly the
same thing once before, "You've noticed the very remarkable resemblance
between mother and daughter?"
"Oh yes."
"There is a gentleness in Mrs. Bowen which seems to me the last
refinement of a gracious spirit," suggested Mr. Waters. "I have never
met any lady who reconciled more exquisitely what is charming in society
with what is lovely in nature."
"Yes," said Colville. "Mrs. Bowen always had that gentle manner. I used
to know her here as a girl a great while ago."
"Did you? I wonder you allowed her to become Mrs. Bowen."
This sprightliness of Mr. Waters amused Colville greatly. "At that time
I was preoccupied with my great mistake, and I had no eyes for Mrs.
Bowen."
"It isn't too late yet," said Mr. Waters, with open insinuation.
A bachelor of forty is always flattered by any suggestion of marriage;
the suggestion that a beautiful and charming woman would marry him is
too much for whatever reserves of modesty and wisdom he may have stored
up Colville took leave of the old minister in better humour with himself
than he had been for forty-eight hours, or than he had any very good
reason for being now.
Mr. Waters came with him to the head of the stairs and held up the lamp
for him to see. The light fell upon the white locks thinly straggling
from beneath his velvet skull-cap, and he looked like some mediaeval
scholar of those who lived and died for learning in Florence when
letters were a passion there almost as strong as love.
The next day Colville would have liked to go at once and ask about
Effie, but upon the whole he thought he would not go till after he had
been at the reception where he was going in the afternoon. It was an
artist who was giving the reception; he had a number of pictures to
show, and there was to be tea. There are artists and artists. This
painter was one who had a distinct social importance. It was felt to be
rather a nice thing to be asked to his reception; one was sure at least
to meet the nicest people.
This reason prevailed with Colville so far as it related to Mrs. Bowen,
whom he felt that he would like to tell he had been there. He would
speak to her of this person and that--very respected and recognised
social figures,--so that she might see he was not the outlaw, the
Bohemian, he must sometimes have appeared to her. It would not be going
too far to say that something like an obscure intention to show himself
the next Sunday at the English chapel, where Mrs. Bowen went, was not
forming itself in his mind. As he went along it began to seem not
impossible that she would be at the reception. If Effie's indisposition
was no more serious than it appeared yesterday, very probably Mrs. Bowen
would be there. He even believed that he recognised her carriage among
those which were drawn up in front of the old palace, under the
painter's studio windows.
Public-domain text, read in full here on John Shaqi.
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