Americans -- Italy -- Fiction; Italy -- Fiction; Love stories; Middle-aged men -- Fiction; Midlife crisis -- Fiction
"Oh, there are the Inglehart boys!" cried the girl, with a flash of
excitement.
There was a sensation of interest and friendliness in the company as
these young fellows, after their moment of social intimidation, began to
gather round the pictures, and to fling their praise and blame about,
and talk the delightful shop of the studio.
The sight of their fresh young faces, the sound of their voices, struck
a pang of regret that was almost envy to Colville's heart.
Imogene followed them with eager eyes. "Oh," she sighed, "shouldn't you
like to be an artist?"
"I should, very much."
"Oh, I beg your pardon; I forgot. I knew you were an architect."
"I should say I used to be, if you hadn't objected to my perfects and
preterits."
What came next seemed almost an accident.
"I didn't suppose you cared for my objections, so long as I amused you."
She suddenly glanced at him, as if terrified at her own words.
"Have you been trying to amuse me?" he asked.
"Oh no. I thought----"
"Oh, then," said Colville sharply, "you meant that I was amusing myself
with you?" She glanced at him in terror of his divination, but could not
protest. "Has any one told you that?" he pursued, with sudden angry
suspicion.
"No, _no_ one," began Imogene. She glanced about her, frightened. They
stood quite alone where they were; the people had mostly wandered off
into the other rooms. "Oh, don't--I didn't mean--I didn't intend to say
anything----"
"But you have said something--something that surprises me from _you_,
and hurts me. I wish to know whether you say it from yourself."
"I don't know--yes. That is, not----Oh, I wish Mrs. Fleming----"
She looked as if another word of pursuit would put it beyond her power
to control herself.
"Let me take you to Mrs. Fleming," said Colville, with freezing
_hauteur_; and led the way where the top of Mrs. Fleming's bonnet still
showed itself. He took leave at once, and hastily parting with his host,
found himself in the street, whirled in many emotions. The girl had not
said that from herself, but it was from some woman; he knew that by the
directness of the phrase and its excess, for he had noticed that women
who liked to beat about the bush in small matters have a prodigious
straightforwardness in more vital affairs, and will even call grey black
in order clearly to establish the presence of the black in that colour.
He could hardly keep himself from going to Palazzo Pinti.
Public-domain text, read in full here on John Shaqi.
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