India -- Social life and customs -- Fiction; Short stories, English
But that is the amusing part of the year. There are six other months
wherein none ever come to call, and the thermometer walks inch by inch up
to the top of the glass, and the office is darkened to just above
reading-light, and the press machines are red-hot of touch, and nobody
writes anything but accounts of amusements in the Hill-stations or
obituary notices. Then the telephone becomes a tinkling terror, because it
tells you of the sudden deaths of men and women that you knew intimately,
and the prickly-heat covers you as with a garment, and you sit down and
write:--"A slight increase of sickness is reported from the Khuda Janta
Khan District. The outbreak is purely sporadic in its nature, and, thanks
to the energetic efforts of the District authorities, is now almost at an
end. It is, however, with deep regret we record the death, etc."
Then the sickness really breaks out, and the less recording and reporting
the better for the peace of the subscribers. But the Empires and the Kings
continue to divert themselves as selfishly as before, and the Foreman
thinks that a daily paper really ought to come out once in twenty-four
hours, and all the people at the Hill-stations in the middle of their
amusements say:--"Good gracious! Why can't the paper be sparkling? I'm
sure there's plenty going on up here."
That is the dark half of the moon, and, as the advertisements say, "must
be experienced to be appreciated."
It was in that season, and a remarkably evil season, that the paper began
running the last issue of the week on Saturday night, which is to say
Sunday morning, after the custom of a London paper. This was a great
convenience, for immediately after the paper was put to bed, the dawn
would lower the thermometer from 96° to almost 84° for half an hour, and
in that chill--you have no idea how cold is 84° on the grass until you
begin to pray for it--a very tired man could set off to sleep ere the heat
roused him.
Public-domain text, read in full here on John Shaqi.
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