India -- Social life and customs -- Fiction; Short stories, English
Gunga Dass (I have, of course, no hesitation in mentioning the man's real
name) I had known four years before as a Deccanee Brahmin loaned by the
Punjab Government to one of the Khalsia States. He was in charge of a
branch telegraph-office there, and when I had last met him was a jovial,
full-stomached, portly Government servant with a marvelous capacity for
making bad puns in English--a peculiarity which made me remember him long
after I had forgotten his services to me in his official capacity. It is
seldom that a Hindu makes English puns.
Now, however, the man was changed beyond all recognition. Caste-mark,
stomach, slate-colored continuations, and unctuous speech were all gone. I
looked at a withered skeleton, turbanless and almost naked, with long
matted hair and deep-set codfish-eyes. But for a crescent-shaped scar on
the left cheek--the result of an accident for which I was responsible--I
should never have known him. But it was indubitably Gunga Dass, and--for
this I was thankful--an English-speaking native who might at least tell me
the meaning of all that I had gone through that day.
The crowd retreated to some distance as I turned toward the miserable
figure, and ordered him to show me some method of escaping from the
crater. He held a freshly plucked crow in his hand, and in reply to my
question climbed slowly on a platform of sand which ran in front of the
holes, and commenced lighting a fire there in silence. Dried bents,
sand-poppies, and driftwood burn quickly; and I derived much consolation
from the fact that he lit them with an ordinary sulphur-match. When they
were in a bright glow, and the crow was neatly spitted in front thereof,
Gunga Dass began without a word of preamble:
"There are only two kinds of men, Sar. The alive and the dead. When you
are dead, you are dead, but when you are alive you live." (Here the crow
demanded his attention for an instant as it twirled before the fire in
danger of being burned to a cinder.) "If you die at home and do not die
when you come to the ghât to be burned you come here."
The nature of the reeking village was made plain now, and all that I had
known or read of the grotesque and the horrible paled before the fact just
communicated by the ex-Brahmin. Sixteen years ago, when I first landed in
Bombay, I had been told by a wandering Armenian of the existence,
somewhere in India, of a place to which such Hindus as had the misfortune
to recover from trance or catalepsy were conveyed and kept, and I
recollect laughing heartily at what I was then pleased to consider a
traveler's tale. Sitting at the bottom of the sand-trap, the memory of
Watson's Hotel, with its swinging punkahs, white-robed attendants, and the
sallow-faced Armenian, rose up in my mind as vividly as a photograph, and
I burst into a loud fit of laughter. The contrast was too absurd!
Public-domain text, read in full here on John Shaqi.
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