"Oh!" says t' awd lass; "the beautee! How sweet he looks!" An' just then t' beauty snarled an' showed his teeth, so Mulvaney shuts down t' lid and says: "Ye'll be careful, marm, whin ye tek him out. He's disaccustomed to traveling by t' railway, an' he'll be sure to want his rale mistress an' his friend Learoyd, so ye'll make allowance for his feelings at fost." She would do all thot an' more for the dear, good Rip, an' she would nut oppen t' basket till they were miles away, for fear anybody should recognize him, an' we were real good and kind soldier-men, we were, an' she honds me a bundle o' notes, an' then cooms up a few of her relations an' friends to say good-bye--not more than seventy-five there wasn't--an' we cuts away. What coom to t' three hundred and fifty rupees? Thot's what I can scarcelins tell yo', but we melted it--we melted it. It was share an' share alike, for Mulvaney said: "If Learoyd got hold of Mrs. DeSussa first, sure, 'twas I that remimbered the Sargint's dog just in the nick av time, an' Orth'ris was the artist av janius that made a work av art out av that ugly piece av ill-nature. Yet, by way av a thank-offerin' that I was not led into felony by that wicked ould woman, I'll send a thrifle to Father Victor for the poor people he's always beggin' for." But me an' Orth'ris, he bein' Cockney, an' I bein' pretty far north, did nut see it i' t' saame way. We'd getten t' brass, an' we meaned to keep it. An' soa we did--for a short time. Noa, noa, we niver heeard a wod more o' t' awd lass. Our rig'mint went to Pindi, an' t' Canteen Sargint he got himself another tyke insteead o' t' one 'at got lost so reg'lar, an' was lost for good at last. WRESSLEY OF THE FOREIGN OFFICE I closed and drew for my Love's sake, That now is false to me, And I slew the Riever of Tarrant Moss, And set Dumeny free. And ever they give me praise and gold, And ever I moan my loss; For I struck the blow for my false Love's sake, And not for the men of the Moss! _--Tarrant Moss._ One of the many curses of our life in India is the want of atmosphere in the painter's sense. There are no half-tints worth noticing. Men stand out all crude and raw, with nothing to tone them down, and nothing to scale them against. They do their work, and grow to think that there is nothing but their work, and nothing like their work, and that they are the real pivots on which the Administration turns. Here is an instance of this feeling. A half-caste clerk was ruling forms in a Pay Office. He said to me, "Do you know what would happen if I added or took away one single line on this sheet?" Then, with the air of a conspirator, "It would disorganize the whole of the Treasury payments throughout the whole of the Presidency Circle! Think of that!"