Most Indians after having passed the degree of soldier and emerged into that of chief or councillor seldom perform in any dances, though they encourage it by their presence. There are but two dances in which the women join the men, which are that in the diviners’ lodge and on the occasion of taking a scalp. There is also another in which women alone perform, aided by a few young men, say, five or six. The principles of all these are imbibed by the youths, from their being always publicly exhibited, and from their natural talent of imitation, but they do not join in the circle until at the age of maturity, except a few girls in the scalp dance. Each one of these performances has some motive independent of amusement, as will perhaps appear from the different descriptions of them which follow, and are to them often matters of deep interest and importance. SCALP DANCE (WAH-KITTAI WACHE).—When a scalp is taken it is during the return stretched on a small hoop, and left in this manner; the hoop is attached to the end of a rod about 5 feet long. These are handed by the warriors on arrival to those in camp who have recently had some of their relatives killed by enemies and is an intimation that revenge for the dead having been taken, their mourning must be laid aside, their faces blackened, and they to rejoice with the others in the dance, which is always done. Moreover, this mark of politeness on the part of the warrior to those in mourning is always remunerated by a suitable present—a gun, a blanket, or some other piece of property. Often a horse is bestowed in the excitement of the moment. The dance is then called by an old man going round the camp singing the song and beating a drum, calling on all who feel disposed to join in celebrating their triumph by a dance, and each one makes the necessary preparations. (Pl. 71.) Both men and women paint their faces entirely black, except the tip end of the nose, which is not touched, dress in the gaudiest and best style they can afford, and at a signal by the yelling and drumming of the music assemble in the area or public square with which most villages are furnished, being an open space in the center of the camp, near the soldiers’ lodge. In this dance the men carry no arms of any kind. Some of them have in their hands a rattle with which they keep time, but most of the women hold in their right hand some weapon, such as a tomahawk, bow, pakamāgan, lance, or stick. The scalps also are held by the females. Being attached to the rod, they are shaken up and down to the taps of the drums. When ready they form nearly a circle. Old men with drums come first, next all the rest of the male dancers, and afterwards the women, the whole ring standing so close as to press a little against each other, and the scalp rods, and other things held in the hand, are extended out a little in front.