The native dyestuffs for coloring porcupine quills and feathers are as follows: For yellow, they boil the article to be colored with the moss found growing near the root of the pine or balsam fir tree. For red, they in the same way use the stalk of a root called we-sha-sha, the English name of which is unknown to us. They have also some earths and ochers, which by boiling impart a dull red, violet, and blue color, but we are unacquainted with the process and their names in any other language except the Indian. Their native dyes, however, with the exception of the yellow, are superseded by those introduced by the traders, with all but the Crow Indians, who living near and in the Rocky Mountains find several coloring herbs and mineral substances unknown to the other tribes, which produce much better colors than these mentioned. At the present day they all mostly use the clippings of different colored blankets and cloth, which by boiling with the substance to be dyed, communicates the tint of the cloth to it in some degree. Thus rose, green, pale blue, and violet colors are obtained. For black they boil the inner papers in which Chinese vermilion is enveloped. TATTOOING Tattooing is much practiced by all these tribes, and a great variety of figures are thus painted, sometimes in spots on the forehead, stripes on the cheeks and chin, rings on the arms and wrists; often the whole of the breast as low down as the navel, with both arms, is covered with drawings in tattoo. It is a mark of rank in the men, distinguishing the warrior when elaborately executed, and as the operation is one requiring the pay of one or two horses, it proves the person’s parents to have been sufficiently rich to afford that mark of distinction imprinted on their children, whether male or female. It is usually done on females at the age of 12 to 14 years, is only exhibited on them in the form of a round spot in the middle of the forehead, stripes from the corners and middle of the mouth down to the chin, occasionally transversely over the cheek, and rings around the wrist and upper parts of the arms. On them it is merely designed as ornament. Men are tattooed entire after having struck their first enemy, but smaller marks of this kind are also only ornamental. The material employed and the modus operandi are as follows: Red willow and cedar wood are burned to charcoal, pulverized, and mixed with a little water. This is the blue coloring matter. From four to six porcupine quills or needles are tied together with sinew. These are enveloped in split feathers; wrapping with sinew, until a stiff pencil about the size of a goose quill is had, with the quills or needles projecting at the end. One of the priests or divining men is then presented with a horse and requested to operate. At the same time a feast of dried berries is prepared, and a considerable number of elderly men invited to drum and sing. When all are assembled the feast is eaten with much solemnity and