Indian Tribes of the Upper Missouri: Edited with Notes and Biographical SketchDenig, Edwin Thompson
History
Indian Tribes of the Upper Missouri: Edited with Notes and Biographical Sketch
Denig, Edwin Thompson
Assiniboine Indians; Indians of North America -- Missouri River Valley
In like manner buffalo heads are pictured to bring those animals in the
direction of the camp, besides a great variety of smaller devices are
seen on their shields, drums, medicine sacks, and envelopes of their
amulets, to all of which appropriate and general meanings are attached
corresponding with their superstitious belief or to insure success in
domestic affairs. In conversation with most elderly Indians regarding
locations, travels, or to explain battles and other events, resort is
had by them to drawing maps on the ground, on bark with charcoal, or
on paper if they can get it, to illustrate more clearly the affair in
question. In this way the chief of the Crow Nation three years since
made and left with us a map (pl. 77) of his intended travels during
the entire fall and winter succeeding, embracing a circumference of
1,500 miles, with the different encampments to be made by that nation
in that time, and so correct was the drawing that we had no difficulty
in finding their camp the following winter in deep snow, one month’s
travel from this place. It is regretted that those Indians are not now
in this neighborhood, as in that case some specimens of their charts
and devices could be inserted, but in default of better we present in
this place some Assiniboin drawings, with their explanations, which
will serve to give a general idea how they are managed, and other
pictorial devices are attached in several parts of this work.
These are the only forms the pictorial art of the Indians takes. It
is more largely applied to the designs represented on their robes and
mythological subjects when appearing on their lodges, fetish envelopes,
etc., as has been stated. Songs can not be recorded in this or any
other form. The value it may be to a people who are without letters is
mostly apparent in the instances where it denotes the rank and standing
of individuals when painted on their robes. The information intended
only for their friends when cut on trees is liable to be interpreted to
their disadvantage by enemies, which would consequently be a bar to its
general practice. None of their drawings are executed with neatness,
but occasionally have some pretensions to proportion. It appears to
be the meaning only that is desired, for paintings done by whites
correctly are not more appreciated as work of art, perhaps not so
much, as their own rude representations, but are looked upon with more
superstitious dread.
Public-domain text, read in full here on John Shaqi.
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