As for Madame Delmare, he would not think of her. He drove away the fears which the thought of his letter aroused from time to time; he tried to persuade himself that poor Indiana would not grasp his meaning or would not have the courage to respond to it; and he finally succeeded in deceiving himself and believing that he was not blameworthy, for Raymon would have been horrified to find that he was selfish. He was not one of those artless villains who come on the stage to make a naïve confession of their vices to their own hearts. Vice is not reflected in its own ugliness, or it would frighten itself; and Shakespeare's Iago, who is so true to life in his acts, is false in his words, being forced by our stage conventions to lay bare himself the secret recesses of his deep and tortuous heart. Man rarely tramples his conscience under foot thus coolly. He turns it over, squeezes it, pinches it, disfigures it; and when he has distorted it and exhausted it and worn it out, he carries it about with him as an indulgent and obliging mentor which accommodates itself to his passions and his interests, but which he pretends always to consult and to fear. He went often to Lagny, therefore, and his visits were agreeable to Monsieur Hubert; for, as you know, Raymon had the art of winning affection, and soon the rich bourgeois's one desire was to call him his son-in-law. But he wished that his adopted daughter should choose him freely and that they should be allowed every opportunity to know and judge each other. Laure de Nangy was in no haste to assure Raymon's happiness; she kept him perfectly balanced between fear and hope. Being less generous than Madame Delmare, but more adroit, distant yet flattering, haughty yet cajoling, she was the very woman to subjugate Raymon; for she was as superior to him in cunning as he was to Indiana. She soon realized that her admirer craved her fortune much more than herself. Her placid imagination anticipated nothing better in the way of homage; she had too much sense, too much knowledge of the world to dream of love when two millions were at stake. She had chosen her course calmly and philosophically, and she was not inclined to blame Raymon; she did not hate him because he was of a calculating, unsentimental temper like the age in which he lived; but she knew him too well to love him. She made it a matter of pride not to fall below the standard of that cold and scheming epoch; her self-esteem would have suffered had she been swayed by the foolish illusions of an ignorant boarding-school miss; she would have blushed at being deceived as at being detected in a foolish act; in a word, she made her heroism consist in steering clear of love, as Madame Delmare's consisted in sacrificing everything to it.