A huge fragment of mountain, which was dislodged and fell during some volcanic disturbance, has formed on the slope of the principal mountain a sort of long arena studded with rocks arranged in the most magical disorder, in the most extraordinary confusion. Here, a huge boulder balances itself on a number of small fragments; there, rises a wall of slender, light, porous rocks with dentilated edges and openwork decoration like a Moorish building; farther on, an obelisk of basalt, whose sides an artist seems to have carved and polished, stands upon a crenelated bastion; in another place, a gothic fortress is crumbling to decay beside a curious, shapeless pagoda. That spot is the rendezvous of all the rough drafts of art, all the sketches of architecture; it would seem that all the geniuses of all nations and of all ages went for their inspiration to that vast work of hazard and demolition. There, doubtless some magically elaborate design of chance gave birth to the Moorish style of sculpture. In the heart of the forests, art found in the palm-tree one of its most beautiful models. The _vacoa_ which anchors itself in the ground and clings to it with a hundred arms branched from its main stalk, evidently furnished the first suggestion of the plan of a cathedral supported by its light flying buttresses. In the _Brulé de Saint-Paul_ all shapes, all types of beauty, all humorous and bold conceits were assembled, piled upon one another, arranged and constructed in one tempestuous night. The spirits of air and fire undoubtedly presided over this diabolical operation; they alone could give to their productions that awe-inspiring, fanciful, incomplete character which distinguishes their works from those of man; they alone could have piled up those monstrous boulders, moved those gigantic masses, toyed with mountains as with grains of sand, and strewn, amid creations which man has tried to copy, those grand conceptions of art, those sublime contrasts impossible of realization, which seem to defy the audacity of the artist and to say to him derisively: "Try it again." I halted at the foot of a crystallized basaltic monument, about sixty feet high and cut with facets as if by a lapidary. At the top of this strange object an inscription seemed to have been traced in bold characters by an immortal hand. Those vulcanized rocks often present that phenomenon; long ago, when their substance, softened by the action of fire, was still warm and malleable, they received and retained the imprint of the shells and climbing plants that clung to them. These chance contacts have resulted in some strange freaks, curious hieroglyphics, mysterious characters which seem to have been stamped there like the seal of some supernatural being, written in cabalistic letters.