Around the walls of the kiva, at the height of one’s head, were wooden
pegs set in the stone, and draped over these were masks and costumes.
As my position at the end of the platform brought me close to one of
these bundles, I leaned against it and the wall, half turned, to give
an eye to the nearest snakes of my corner, and another eye to the
proceedings of the elders. A snake wriggled out from the pile and came
closer; but the Indian who had received us waved him back with a
feather-whip. Someone was watching that sector, and I grew more
confident.
We stood there for a little time in silence. From above came the noises
of the crowd, thronging through the village streets. One could look up
through the square opening of the entrance and see the blue Arizona
sky. The ladder was very comforting. Several of the guests sat down on
the edge of the platform, but I did not. I leaned comfortably against
my pile of regalia, and kept a wide-angled view of the whole interior.
Then one of the Indians crossed the platform, gathered a few snakes and
passed them swiftly to the old men at the bowls. They uttered
invocations, stretched the snakes out, and anointed them with meal, all
the while chanting in a low tone. A number of the men had lined up
against the wall, carrying rattles and insignia. They too began a
chant. And then suddenly the old men plunged the snakes into the water
of the bowls—a quick, unceremonious ducking; the choir raising its
chant to a savage crescendo. It was no longer rhythmic and solemn. It
was like a scream of death, a wild, unreasoning challenge that ended in
a blood-curdling shriek; and at that final cry the snakes were hurled
up the kiva, to fall on the sand-painting. The peeled wands were
knocked over by their swirling bodies. Somnolent before, the snakes now
waked up, and twisted about, seeking escape, their heads raised, their
tongues darting in and out. A hissing and whirring sounded. Their
movements in the sand caused the design to be obliterated.
Now came another handful of snakes, swiftly passed for the baptism, and
again the low chanting, but faster now, faster, and always that wild
ending of the chant, and the throwing of the reptiles. More and more
snakes squirmed on the wrecked sand-painting. All the wands were down
now. And in among the snakes, with a calmness that chilled the blood,
walked my two schoolboys, nude as Adam, hustling back to the sand those
that darted for the walls. Twice snakes reached the stone bench along
the kiva’s end and, climbing it, sought crevices of the upper wall.
Each time a boy reached for the disappearing truant and nonchalantly
dragged him back to his place in this wildest of pagan rites.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account