The physician in charge accompanied me through the wards, for a number
of my Hopi were there, and finally we stopped for a little chat with
Stella. She still had a taste for candy, and so informed me. This being
“uncle” to several thousands has its responsibilities.
“She has been here a long time,” I said when we came away.
“Yes—an uneven case, erratic chart; and that sort seldom make a
complete recovery. By the way, did you notice anything peculiar in her
expression?”
“Well,” I replied, “she was a very pretty little child, and she has n’t
quite lost all that. There is something wistfully patient about her—a
half-smiling sadness—”
“The very thing,” said the doctor. “I wondered if you would notice it.
The Mona Lisa look: Fishberg mentions it. Stella is a perfect example.”
But when I last visited the mesa Stella had a home in which to welcome
me. She had tired of the long years at the sanatorium, and they were
many; she had returned, as they all endeavor, to her people on the
mesa-top; and she still liked candy, and she still had that placid,
melancholy expression. [4] I have sought to rescue many Hopi from that
dread disease, with varying success, but she is the only Gioconda I
have found among the Indians.
L’ENVOI
By a curious irony of fate, the places to which we are sent
when health deserts us are often singularly beautiful.
—Stevenson: Ordered South
“Keams Cañon!” A commonplace name, because a trading rover had made it
home. Tom Keams has gone roving into shadowy lands. “Lu-kah-des-chin,”
the place of the reeds, is the Navajo name. For nearly three hundred
days of the year it possesses the finest climate in the world, air like
wine, filtered clean and sweet through ten thousand square miles of
unpolluted wilderness.
In those few remaining days are the contrasts. An odd change, at the
close of a sunlit winter day, to have the sky suddenly go drab and
dull, promising a bleak night, and then the added silence of the
falling snow. Stealthily the storm would come upon us, whirling crisp
dry flakes, weaving a magic veil to drape white all the cliffs. A new
hush in the Desert. And at morning, a crystal landscape, glittering
like an old-time Christmas card.
Chattering birds in springtime, pausing for a little from their
travels, gossiping of Mexico and strange Southern lands. They rejoice
in this oasis. The filmy gray of the cottonwoods lends them a screen;
already the swelling buds are pale green against the colder tones of
the Cañon walls. A last patch of snow on a north ledge suddenly seems
to slip, and is gone; and where it was shows the newest bloom, a tiny
bit of desert scarlet.
Public-domain text, read in full here on John Shaqi.
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