The inventive faculty is so strong in some men that it may be said to amount to a passion, and cannot be restrained. The saying that the poet is born, not made, applies with equal force to the inventor, who, though indebted like the other to culture and improved opportunities, nevertheless invents and goes on inventing mainly to gratify his own instinct. The inventor, however, is not a creator like the poet, but chiefly a finder-out. His power consists in a great measure in quick perception and accurate observation, and in seeing and foreseeing the effects of certain mechanical combinations. He must possess the gift of insight, as well as of manual dexterity, combined with the indispensable qualities of patience and perseverance,--for though baffled, as he often is, he must be ready to rise up again unconquered even in the moment of defeat. This is the stuff of which the greatest inventors have been made. The subject of the following memoir may not be entitled to take rank as a first-class inventor, though he was a most prolific one; but, as the founder of a school from which proceeded some of the most distinguished mechanics of our time, he is entitled to a prominent place in this series of memoirs. Joseph Bramah was born in 1748 at the village of Stainborough, near Barnsley in Yorkshire, where his father rented a small farm under Lord Strafford. Joseph was the eldest of five children, and was early destined to follow the plough. After receiving a small amount of education at the village school, he was set to work upon the farm. From an early period he showed signs of constructive skill. When a mere boy, he occupied his leisure hours in making musical instruments, and he succeeded in executing some creditable pieces of work with very imperfect tools. A violin, which he made out of a solid block of wood, was long preserved as a curiosity. He was so fortunate as to make a friend of the village blacksmith, whose smithy he was in the practice of frequenting. The smith was an ingenious workman, and, having taken a liking for the boy, he made sundry tools for him out of old files and razor blades; and with these his fiddle and other pieces of work were mainly executed.