United States -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
suffer no persuasion or invective to influence you in questions
involving conscientious scruples. You are young and peculiarly
isolated, therefore I have given you a letter to my valued old friend
Mrs. Mason, who will always advise you judiciously, if you will only
consult her. I hope you will devote as much time as possible to
music, for to one gifted with your rare talent it will serve as a
sieve straining out every ignoble discordant suggestion, and will
help to keep your thoughts pure and holy."
"I suppose there are wicked ways and wicked people everywhere, and it
is not the fashion or the sinfulness that I am afraid of in New York,
but the loneliness I anticipate. I dread being shut up between brick
walls: no flowers, no grass, no cows, no birds, no chickens, none of
the things I care for most."
"But, my dear child, you forget that you have entered your fifteenth
year, and as you grow older you will gradually lose your inordinate
fondness for pets. Your childish tastes will change as you approach
womanhood."
"I hope not. Why should they? When I am an old woman with white hair,
spectacles, wrinkled cheeks, and a ruffled muslin cap like poor
Hannah's, I expect to love pigeons and rabbits, and all pretty white
things, just as dearly as I do now. Speaking of Hannah, how I shall
miss her? Since she went away, I shun the kitchen as much as
possible,--everything is so changed, so sad. Oh! the dear, dear
old-dead-and-gone-days will never, never come back to me."
For some time neither spoke. Mrs. Lindsay wept, the girl only groaned
in spirit; and at length she said suddenly, like one nerved for some
painful task:
"When we separate at the depot, you to take one train and I another,
we may never meet again in this world, and I must say something to
you, which I could mention to no one else. There is a cloud hanging
over me. I have always lived in its cold shadow, even here where
there is, or was, so much to make me happy, and this mystery renders
me unwilling to go into the world of curious, harsh people, who will
wonder and question. I know that Orme is not my real name, but am
forbidden to ask for information until I am grown. I have full faith
in my mother: I must believe that all she has done is right, no
matter how strange things seem; but on one point I must be satisfied.
Is my mother's name Minnie?"
"I cannot tell you, for it was the only secret dear Peyton ever kept
from me. In speaking of her, he always called her Mrs. Orme."
"Do you know anything about the loss of a valuable paper, once in Mr.
Hargrove's possession?"
"A great many years ago, before you came to live with us, some one
entered this room, opened the secret drawer of Peyton's writing desk,
and carried off a tin box containing some important papers."
"And suspicion rested on my mother?"
"My darling girl, who could have been so cruel as to distress you
with such matters? No one----"
Regina interrupted her, with an imperative motion of her hand:
Public-domain text, read in full here on John Shaqi.
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