United States -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
An oval table immediately under the gas-globes held a china stand
filled with cigars, and seeing several books lying near it, she took
up one.
It was Gustave Dore's "Wandering Jew," and, throwing herself down on
the rug, she propped her head with one hand, while the other slowly
turned the leaves, and she examined the wonderful illustrations. She
was vaguely conscious that the clock struck ten, but paid little
attention to the flight of time, and after awhile she closed the
book, drew the cushion before the desk to the rug in front of the
fire, laid her head on it, and soothed by the warmth and perfect
repose of the room fell asleep.
Soon after the door opened wider, and Mr. Palma entered, and walked
half way down the room ere he perceived the recumbent figure. He
paused, then advanced on tiptoe and stood by the hearth, warming his
white scholarly hands and looking down on the sleeper.
With the careless grace of a child, innocent of the art of
attitudinizing, she had made herself thoroughly comfortable; and as
the light streamed full upon her, all the marvellous beauty of the
delicate face and the perfect modelling of the small hands and feet
were clearly revealed. The glossy raven hair clung in waving masses
around her white full forehead, and the long silky lashes lay like
jet fringe on her exquisitely moulded cheeks; while the remarkably
fine pencilling of her arched brows, which had attracted her
guardian's notice when he first saw her at the convent, was still
more apparent in the gradual development of her features.
Studying the face and form, and rigidly testing both by the
fastidious canons that often rendered him hypercritical, Mr. Palma
could find no flaw in contour or in colouring, save that the
complexion was too dazzlingly white, lacking the rosy tinge which
youth and health are wont to impart.
Stretching his arm to the escritoire, he softly opened a side drawer,
took out an oval-shaped engraving of his favourite Sappho, and
compared the nose, chin, and ear with those of the unconscious girl.
Satisfied with the result, he restored the picture to its
hiding-place. Four years had materially changed the countenance he
had seen last at the parsonage, but the almost angelic purity of
expression which characterized her as a child, had been intensified
by time and recent grief, and watching her in her motionless repose
he thought that unquestionably she was the fairest image he had ever
seen in flesh; though a certain patient sadness about her beautiful
lips told him that the waves of sorrow were already beating hoarsely
upon the borders of her young life.
Public-domain text, read in full here on John Shaqi.
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