United States -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
"My testimony would not be admissible before the bar, at which I have
been arraigned. Since you have explored the Holy of Holies, be so
kind as to describe what you find."
"You might consider me presumptuous, possibly impertinent."
"At least I may safely promise not to express any such opinion. What
is there, think you, that Erle Palma worships?"
"A statue of Ambition that stands in the vestibule of the temple of
Fame."
"Olga told you that."
"Oh no, sir! Have not I lived here a year?"
His eyes sparkled, and a proud smile curled his lips.
"Do I offer sacrifices?"
"I think you would, if they were required."
"Suppose my stone god demanded my heart?"
"Ah, sir! you know you gave it to him long ago."
He laughed quite genially, and his whole face softened, warmed.
"At least let us hope my ambition is not sordid; is unstained with
the dross of avarice. It is a stern god, and I shall not deny that
'Ephraim is joined to his idols! Let him alone.'"
A short silence followed, during which his thoughts wandered far from
the precincts of that quiet room.
"Mr. Palma, will you please give me my picture?"
"It is yours of course, but conditionally. It must remain where it
now hangs: first, because I wish it; secondly, because your mother
prefers (for good reasons) that it should not be known just yet as
her portrait; and if it should be removed to your bed-chamber, the
members of the household would probably gossip. Remaining here, it
will be called an imitation of 'Mona Lisa del Giocondo,' and none
will ever suspect the truth. Pray don't straiten your lips in that
grievously defiant fashion, as Perpetua doubtless did when she heard
the bellowing of beasts or the clash of steel in the amphitheatre.
Make this room your favourite retreat. Now that it contains your
painted Penates, convert it into an _atrium_. Come when you may, you
will never disturb me. In a long letter received this week, your
mother directs that your portrait shall be painted in a certain
position, and wishes you to wear the suit you have on. The carriage
is ready, and I will take you at once to the artist. Put on your
hat."
During the drive he was abstracted, now and then consulting a paper
of memoranda, carried in the inside breast-pocket of his coat.
Once introduced into the elegant studio of Mr. Harcourt in Tenth
Street, Regina found much to interest and charm her, while her
guardian arranged the preliminaries, and settled the details of the
picture. Then he removed the hat and cloak, and placed her in the
comfortable seat already prepared.
The artist went into an adjoining room, and a moment after Hero
bounded in, expressing by a succession of barks his almost frantic
delight at the reunion with his mistress. Since her removal to New
York, she saw him so rarely, that the pleasure was mingled with pain,
and now with her arms around his neck, and her face hidden in his
thick white hair, she cried softly, unable to keep back the tears.
Public-domain text, read in full here on John Shaqi.
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