United States -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
Six months before, he had first seen Madame Orme as "Deborah," in
Mosenthal's popular drama, and, charmed by her face and figure, had
attempted to make her acquaintance. But his floral offerings had been
rejected, his jewels and notes returned, his presentation refused,
his visits interdicted; and as usually occurs in natures like his,
opposition to his wishes intensified them, cold indifference and
denial only deepened and strengthened his determination to crush all
barriers. His pride was wounded, his vanity sorely piqued, and to
compel her acknowledgment of his power, her submission to his sway,
became for the while his special aim, his paramount purpose. Hence
he loitered at Naples, seeking occasions, lying in wait for an
opportunity to open a campaign that promised him new triumphs.
Dr. Plymley was an English physician travelling with an invalid wife
and consumptive son, and having been consulted by Mrs. Orme on
several occasions in Milan, had at length been prevailed upon by
General Laurance to arrange an apparently casual introduction.
It was a cloudless spring day, and leaving Mr. and Mrs. Waul to read
a package of American papers, Mrs. Orme walked away toward the lonely
outlines of the Serapeon.
The delicious balmy atmosphere, the interest of the objects that
lined the drive from Naples, and the exercise of wandering from point
to point had brought a delicate glow to her cheeks, and a brighter
carmine to her lips; and beneath the white chip hat, with its wreath
of clustering pink convolvulus lying on her golden hair, the lovely
face seemed almost unsurpassed in its witchery.
She wore a sea-green dress of some soft fabric that floated in the
wind as she moved, and over her shoulders was wound a white fleecy
mantle fastened at the throat by a costly green cameo, which also
secured a spray of lemon flowers that lavished their fragrance on the
bright warm air. Closing her parasol, she walked down to the ruined
Temple, and approached the wonderful cipollino columns that bear such
mysterious attestation of the mutations of land and sea, of time and
human religions. Since the days of Agrippina and Julia, had a fairer
prouder face shone under the hoary marble shafts, and mirrored itself
in the marvellous mosaic floor, than that which now looked calmly
down on the placid water flowing so silently over the costly
pavements, where sovereigns once reverently trod?
Public-domain text, read in full here on John Shaqi.
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