United States -- Social life and customs -- 19th century -- Fiction; Women -- Social conditions -- Fiction
During the drive, Mrs. Palma was unusually cheerful, almost
loquacious, and her companion attributed the agreeable change in her
generally reticent manner to maternal pride and pleasure in the
contemplated alliance of her only child.
No reference was made to the subject, and when they reached Mrs.
Brompton's, Regina was not grieved to learn that the rehearsal had
been postponed until he following day, in consequence of the sickness
of Professor Hurtzsel.
"Then Farley must take you home, after I get out at Mrs. St. Clare's.
The carriage can return for me about four o'clock."
"That will not be necessary. I wish to go and see Mrs. Mason, who has
been out of town since July, and I can very easily walk. She has
changed her lodgings."
"Have you consulted Erle on the subject?"
"No, ma'am; but I do not think he would object."
"At least it would be best to obtain his permission, for only last
week when you stayed so long at that floral establishment, he said he
should forbid your going out alone. Wait till to-morrow."
"To-morrow I shall have no time, and all my studies are over for
to-day. Why should he care? He allows me to go to Mrs. Mason's in the
carriage."
"It is entirely your own affair, but my advice is to consult him. At
this hour he is probably in his office; drive down and see him, and
if he consents, then go. Here is Mrs. St. Clare's. Farley, take Miss
Orme to Mr. Palma's office, and be sure you are back here at
half-past three. Don't keep me waiting."
Never before had Regina gone to the law-office, and to-day she very
reluctantly followed the unpalatable advice; but the urgency of Mrs.
Palma's manner constrained obedience. When the carriage stopped, she
went in, feeling uncomfortable and embarrassed, and secretly hoping
that her guardian was absent. At a large desk near the door sat a
young man intently copying some papers, and as the visitor entered,
he rose and stared. "Is Mr. Palma here?"
"He will be in a few moments. Take a seat."
Hoping to escape before his return, she said hastily: "I have not
time to wait. Can you give me a pencil and piece of paper? I wish to
leave a note."
There were two desks in the apartment, but glancing at their dusty
appearance, and then at the dainty pearl-tinted gloves of the
stranger, the young man answered hesitatingly:
"You will find writing materials on the desk in the next room. The
door is not locked."
She hurried in, sat down before the desk where a number of papers
were loosely scattered, and took up a pen lying near a handsome
bronze inkstand.
How should she commence? She had never written him a line, and felt
perplexed. While debating whether she should say Dear Mr. Palma or My
Dear Guardian, her eyes wandered half unconsciously about the
apartment, until they were arrested by a large portrait hanging over
the mantlepiece. It was a copy of the picture her mother had directed
to be painted by Mr. Harcourt, and which had been sent to Europe.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account