REALISTIC LITERATURE.--Confronting all this literature, which had a
romantic origin even when it affected scorn of the men of 1830, was
developed an entire realistic literature composed almost exclusively of
writers in prose, but of prose imbued with poetry written by some who had
read the romantics and who would not have achieved what they did had
romanticism not already existed, a fact which they themselves have
not denied, and which is now almost universally accepted. Flaubert, whose
masterpiece, _Madame Bovary_, is dated 1857, was very precisely divided
between the two schools; he possessed the taste for breadth of eloquence,
for the adventurous, and for Oriental colouring, and also the taste for
the common, vulgar, well visualised, thoroughly assimilated truth,
tersely portrayed in all its significance. But as he has succeeded
better, at least in the eyes of his contemporaries, as a realist than as
a man with imagination, he passes into history as the founder of realism
always conditionally upon considering Balzac as possessing much of the
vigorous realism which provided the impulse and furnished models.
NATURALISM.--From the realism of Flaubert was born the naturalism of
Zola, which is the same thing more grossly expressed. Also by his
energetic, violent, and tenacious talent, as well as by a weighty though
powerful imagination, he exercised over his contemporaries a kind of
fascination which it would be puerile to regard as an infatuation for
which there was no cause.
More refined and even extremely delicate, though himself also fond of the
small characteristic fact; possessed, too, with a graceful and gracious
sensibility, Alphonse Daudet often charmed and always interested us in
his novels, which are the pictorial anecdotes of the Parisian world at
the close of the second Empire and the opening of the third Republic.
The brothers De Goncourt also enjoyed notable success, being themselves
absorbed in the exceptional deed and the exceptional character whilst
possessing a laboured style which is sometimes seductive because of its
unlooked-for effects.
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