TOLSTOY.--Tolstoy, so recently dead, was a great epic poet in prose, a
very powerful and affecting novelist, and in some measure an apostle. He
began with _Boyhood Adolescence and Youth_, in itself very curious and
particularly valuable because of the idea it conveys of the life of the
lords of the Russian soil, and for its explanation of the formation of
the soul and genius of Tolstoy; then came _The Cossacks_, full of
magnificent descriptions of the Caucasus and of interesting scenes of
military and rural life; subsequently that masterpiece of Tolstoy's, _War
and Peace_, narratives dealing with the war of Napoleon with Russia and
of the subsequent period of peaceful and healthy rural life. It is
impossible to adequately admire the power of narration and descriptive
force, the fertility of incidents, characterisations, and dramatic
moments, the art or rather the gift of portraiture, and finally, the
grandeur and moral elevation, in fact, all the qualities, not one of
which he appeared to lack, of which Tolstoy gave proof and which he
displayed in this immense history of the Russian soul at the commencement
of the nineteenth century; for it is thus that it is meet to qualify this
noble creation. The only analogy is with _Les Misérables_ of Victor Hugo,
and it must be admitted that despite its incomparable merits, the French
work is the more unequal. _Anna Karenina_ is only a novel in the vein of
French novels, but very profound and remarkable for its analysis of
character and also impassioned and affecting, besides having considerable
moral range. _The Kreutzer Sonata_ is a romance rather than a novel, but
cruelly beautiful because it exposes with singular clairvoyance the
misery of a soul impotent for happiness. _Resurrection_ shows that
mournful and impassioned pity felt by Tolstoy for the humble and the
"fallen," to use the phrase of Pushkin; it realises a lofty dramatic
beauty. Tolstoy, in a thousand pamphlets or brief works, preached to his
own people and to mankind the strict morality of Christ, charity,
renunciation, peace at all price, without taking into account the
necessities of social life; and he denounced, as had Jean Jacques
Rousseau, the culpability of art and literature, being resigned to
recognising his own works as condemnable. His was the soul of an exalted
poet and a lofty poetical mind; from a poet must not be demanded
practical common sense or that feeling for reality which is demanded,
often unavailingly, from a statesman.
Public-domain text, read in full here on John Shaqi.
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