The skin over the trunk and limbs of man is exposed to stimuli of
pressure, friction, heat, cold and wind in very different degrees,
according to the part which it covers. I do not here refer to nocuous,
or so-called noci-cipient stimuli, as being too casual in their
incidence for the question in hand. Broadly the ventral surface of
the neck and trunk differ much, in respect of the qualities of their
epidermis, from the dorsal. The skin over the former is softer, thinner
and more flexible than the latter, which is in adult life thick, hard
and with larger openings of the sebaceous glands. As the two main
layers of the skin are so closely united it is impossible to state
any general rule as to the parts played in this manufacture by the
epidermis and dermis respectively. Altogether the skin from the dorsal
surfaces of mammals provides a much denser fabric than the latter, and
different qualities of leather are obtained from different regions.
Corresponding differences of texture are found on the extensor and
flexor surfaces of the limbs, especially on the hands and feet. In the
course of his long evolution from a hairy stock, whether simian as we
thought yesterday, or a lower one as Professor Woods Jones suggests
to-day, these dorsal surfaces of neck, trunk and extensor surfaces of
limbs have been exposed through countless generations of men to vastly
more stimuli of friction, pressure, and response, than those of the
ventral and flexor regions. As man’s hairy covering diminished, through
some mysterious and at present unrecognised cause, these stimuli became
increasingly potent in producing a tissue denser than that of the more
protected ventral parts where all forms of these stimuli are slight. I
do not claim that this was a phenomenon that began with man, for in a
measure it was present in those forms which preceded him, and in many
related mammals under the cover of their hairy covering.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account