Innocent : $b a tale of modern lifeOliphant, Mrs. (Margaret)
General
Innocent : $b a tale of modern life
Oliphant, Mrs. (Margaret)
Fiction
“I have nothing to say against Ernest. It is his family, who are not
acting as we have a right to expect of them,” answered her mother; and
she received with great gravity the announcement of Mr. Molyneux’s
intended visit. She would not allow to any one that she was excited by
it, but the family breakfasted half an hour earlier on that particular
morning, in order that everything might be cleared away, and the room in
order for this interview. The dining-room was Mrs. Eastwood’s business
room, where she transacted all her more important affairs. There is
something in the uncompromising character of a dining-room which suits
business; the straight-backed chairs up and down, without compromising
curves or softness, the severe square rectangular lines of the table,
the side-board ponderous and heavy, tons of solid mahogany--even the
pictures on the walls, which were all portraits, and of a gravely severe
aspect--made it an appropriate state chamber for great occasions. When
Mr. Molyneux was ushered in, he found Mrs. Eastwood seated on a hard
chair before the table, with a large inkstand and all her housekeeping
books before her. He was amused by the _pose_, being clever enough to
perceive that it, at least, was not quite genuine, but he lacked the
power to go farther, and immediately made a vulgar estimate of her, such
as vulgar-minded men invariably make of women whose youth and good looks
are waning. Mr. Molyneux was a great speaker, a powerful pleader, but a
vulgar-minded man notwithstanding. He was loosely made and loosely
dressed, with a certain largeness and breadth about him which impressed
his hearers as if it had been a moral quality--and his face was
loquacious, especially the mouth, which had large lips, and lines about
them bearing token of perpetual motion. These lips, and the peculiar way
in which, in repose, they closed upon each other, were enough to prove
to any spectator, that his powers of speech were not to be despised. It
was not an eloquent mouth. There is a great difference between powerful
loquacity and real eloquence. He was not eloquent. A lofty subject would
have disconcerted him, and when he attempted to treat an ordinary
subject in a lofty way, his grandeur became bathos, and called forth
laughter when tears were intended. But he was tremendously fluent, and
he was popular. He did almost what he liked with the ordinary British
jury, and his name in a bad case was almost as good as a verdict of
acquittal.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account