“Nothing is settled,” said Nelly, with a deeper blush than ever; and after a pause she turned to him with a despairing simplicity, which he did not quite understand. “Mr. Vane,” she said, “I should like to ask you something. You say it has never come your way. Yet you look as if one might ask you things. Do you think that people, relations, those who have been each other’s dearest friends--or more than friends--I mean,” said Nelly, “one’s father or mother even--do you think they change to you, when your interests are in opposition to theirs?” “One’s father or mother?” said Vane, trying to follow her thought; “but that must be so rare a case, Miss Eastwood.” “You think so too?” said Nelly brightly, recovering herself in a moment. “That is my opinion; but they tell me I know nothing of the world. How can one’s interests be in opposition to those of one’s own people? Since ever I have known anything, I have been taught the contrary. I am so glad you think as I do.” “But stop a little,” said Vane, “perhaps we are going too far. Suppose we were to take an instance. Regan and Goneril felt their interests to be in opposition to their father’s, and it did make a great change in them. If we were to ask more than we ought from our nearest relation, it would wound his sense of justice and his trust in us; even love might be impaired. I have known men who threw themselves upon their friends to save them from ruin, real or supposed, and to whom there was no change of feeling. And I have known others who made demands upon the same friends for no greater sacrifice, to whom it was given with a sore heart and a deep sense of injury. All the difference depends upon the circumstances.” Nelly grew wistful again; she was not satisfied. “Tell me this, then,” she said in a low voice, which he had to stoop to hear. “Is it natural that we should be always trying how much we can get, and they how little they can give?” “Any one who told you so,” said Vane indignantly, “must have the lowest and meanest conception”--then he caught Nelly’s eye with a mingled look of fright and entreaty in it, which at the moment he could make nothing of, but which touched some instinct in his mind more capable of action than reason, and compelled him to change his tone. “I mean,” he said, with a forced laugh, “that this is the conventional way in which we speak in society, which sounds terrible but means nothing. It is the fashionable cynical view, which we all pretend to take to hide the real feeling, which it is not English to show. How didactic you have made me, Miss Eastwood, and what a serious strain we have drifted into! I am afraid you will never sit next to me again.”