Innocent : $b a tale of modern lifeOliphant, Mrs. (Margaret)
General
Innocent : $b a tale of modern life
Oliphant, Mrs. (Margaret)
Fiction
“Oh, ah,” he said, giving a tacit assent, and wondering all the time
what she was really thinking, and why that muff, Molyneux, was not
there. If it was a mere quarrel between Nelly and her lover, or even if
Molyneux had declared off, Frederick would not have disturbed himself
much on the subject; but he could not but recollect that Molyneux had
been absent the last time he and his wife had dined at The Elms. If he
were to behave badly to Nelly it would be bad, no doubt; but to give
himself airs with Frederick was a still more dreadful offence. “Confound
his impudence,” he muttered between his teeth.
As for the other members of the party, Innocent was very passive, and
Mr. Parchemin, with his spectacles pushed back upon his forehead, ate
his dinner with serious devotion, and troubled himself about nothing
which might be going on.
After dinner, the ladies, being so few in number, made a little group in
the drawing-room round Mrs. Eastwood’s chair. It was then that Innocent
attracted Amanda’s attention.
“What a great girl she is growing--almost grown up,” she said. “What do
you intend to do with her?”
Innocent was leaning against the back of Mrs. Eastwood’s chair. Her
attention was directed quite otherwise, or rather, she was attending to
nothing, gazing across the room vacantly with her eyes fixed on the
door. Whether this was mere chance, or whether it was the lingering
remains of the old adoration for Frederick, Nelly, who was watching her
very closely, could not tell. The girl was not attending--but she woke
up and stirred slightly at this allusion to herself.
“What am I going to do with her?” asked Mrs. Eastwood in dismay.
“Yes--I mean, do you intend to send her out as a governess, or anything
of that sort?” said Amanda, plucking a flower to pieces which she had
taken from the dinner table. It was bad enough to abstract the flower
from a bouquet which Nelly had arranged very carefully; but, having
abstracted it, to pull it to pieces, throwing the petals on the floor,
was almost more than human patience, personified in Nelly Eastwood,
could bear.
“Now she has grown up,” continued the beauty, “I suppose you mean her to
be of some use. You can’t keep her always in idleness to the injury of
your own children----”
“We must not talk about the questions you don’t fully understand,”
cried Mrs. Eastwood, with flushed cheeks. “Innocent, my love, go and
fetch a cushion for Lady Doul. And perhaps Mrs. Frederick will give us a
little music, Nelly, if you have anything new to tempt her.”
Public-domain text, read in full here on John Shaqi.
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