Innocent : $b a tale of modern lifeOliphant, Mrs. (Margaret)
General
Innocent : $b a tale of modern life
Oliphant, Mrs. (Margaret)
Fiction
“Is she going now, or at Christmas?” said Jenny. “If now, I give my
consent, for I’m going off to-morrow. I like Innocent to be at home when
I am at home. You may laugh, if you please, but I like it; why shouldn’t
I?” said the boy hotly. “And I like Nelly to be at home. What is the
good of girls if they don’t make the old place look nice? But she may go
now, if you please, what has that to do with John Vane?”
Upon this Dick laughed long and low, “John ain’t in love with Innocent,”
he said chuckling. “I say, mother, what a set of jolly spoons!--if you
know what that means. I’ll take her down to the country, if you like,
and see John Vane’s sister. Perhaps she might take a fancy to me.”
“Silly boy, she is as old as I am,” said his mother, with a smile. And
thus the discussions of the morning fell into cheerful home banter, and
the jests of the boys. This consoled the mother, the light of whose
firmament was at present supplied by these two boys; but it did not
comfort Nelly, who was wading up to her neck in personal dismay and
trouble; and it would have called forth nothing but angry contempt from
Frederick, who felt his own griefs big enough to eclipse both earth and
heaven.
CHAPTER XXX.
THE HIGH LODGE.
Thus every one discussed and gave their opinion as to Innocent’s outset
in life--except Innocent herself. She acquiesced--it was all she ever
did. A slight paling of her very faint colour, a certain look of fright
in her eyes were the only indications that it affected her at all.
Somehow this change in her life associated itself in her ideas with
Amanda’s proposal to render her of use--a proposal which she had
received with more favour than any one else in the house; it had
offended them all on her account, but it had not offended Innocent. She
listened to all the descriptions which were given her of Miss Vane, her
unknown relation, and of the pretty country which she was about to
visit, and of the novelty and change which her aunt thought would do her
so much good, with passive incomprehension. Novelty alarmed, it did not
excite her; she wanted no change--but yet she was quite contented to be
sent where they pleased; to do whatever they thought proper. She looked
upon her visit as a very devout and enthusiastic believer looks--or is
supposed to look--upon death; as an unknown and terrible event of which
she could form no idea, but which would be soon over, and which it was
absolutely the will of those who were as gods to Innocent that she
should undergo “for her good.” Thus she allowed herself to be prepared
for it with a mixture of fright and docility; everybody talked of it
except herself, the heroine. Innocent’s visit was in every mouth except
Innocent’s. She did not even form to herself any picture of what it
would be like, as Nelly kept doing perpetually. She had no faculty for
making pictures. Indeed, the peculiarity of Innocent’s organization
began to centre chiefly in this point--that she had no imagination. It
Public-domain text, read in full here on John Shaqi.
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