Innocent : $b a tale of modern lifeOliphant, Mrs. (Margaret)
General
Innocent : $b a tale of modern life
Oliphant, Mrs. (Margaret)
Fiction
“Oh, how could any one let you wander about like this!” cried the maid,
“and where is your luggage? Come to the kitchen, miss, there’s no other
fire lighted. You are as cold as ice, and all of a tremble. Come in,
come in for goodness’ sake, and I’ll make you a cup of tea.”
Innocent smiled her habitual smile of vague and dreamy sweetness in
acknowledgment of this kindness--but she shook her head and went
straight up-stairs to the door of Mrs. Eastwood’s room. Her first
arrival there came up before her as she paused at the door--her
dissatisfaction, her indifference--oh, if she had stayed in the little
room, within Nelly’s, within the mother’s, could this thing have
happened to her, could any such harm have reached her? This question
floated wistfully before her mind, increasing the strange confusion of
feelings of which she was vaguely conscious; but she did not pause for
more than an instant. Mrs. Eastwood was still asleep, or so at least
Innocent thought; but the very aspect of the familiar room was
consolatory. It seemed to protect her, to make her safe. She stole
softly to the alcove where the grey morning light struggled in through
the closed curtains. As Innocent approached Mrs. Eastwood opened her
eyes, with the instinctive promptitude of a mother, used to be appealed
to at all times and seasons. She started at the sight of the strange
figure in hat and shawl, and sat up in her bed, with all her faculties
suddenly collecting to her, to prepare her for the something, she knew
not what, which she instinctively felt to have befallen.
“Innocent! Good heavens, how have you come? What is the matter?” she
cried. Innocent fell down on her knees by the bed; the fatigue, the
cold, the personal suffering of which up to this moment she had been
scarcely conscious, seemed suddenly to overflow, and become too much for
her to bear. She clasped Mrs. Eastwood’s arm between her own, and looked
up to her with a ghastly face, and piteous looks of appeal; her lips
moved, but no words came. Now she had got to the end of her journey, the
end of her troubles; but now all capacity seemed to fail her. She could
not do more.
“My child--my poor child!” said Mrs. Eastwood. “Oh, Innocent, why did I
let you go from me? Speak, dear, tell me what it is? Innocent, speak!”
“Do not be angry,” said poor Innocent, raising her piteous face, with a
child’s utter abandonment and dependence upon the one standard of good
and evil which alone it understands. And yet the face was more woeful,
more distraught, than child’s face could be. Mrs. Eastwood, anxious yet
reassured, concluded that the poor girl, weary and frightened of
strangers, had run away from the High Lodge to come home, an offence
which might well seem terrible to Innocent. What could it be else? She
bent over her and kissed her, and tried to draw her into her arms.
Public-domain text, read in full here on John Shaqi.
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