One evening--an evening destined to mark a turning-point in Innocent's
destiny--they went together to an "At Home" held at a beautiful studio
in the house of an artist deservedly famous. Miss Leigh had a great
taste for pictures, no doubt fostered since the early days of her
romantic attachment to a man who had painted them,--and she knew most
of the artists whose names were more or less celebrated in the modern
world. Her host on this special occasion was what is called a
"fashionable" portrait painter,--from the Queen downwards he had
painted the "counterfeit presentments" of ladies of wealth and title,
flattering them as delicately as his really clever brush would allow,
and thereby securing golden opinions as well as golden guineas. He was
a genial, breezy sort of man,--quite without vanity or any sort of
"art" ostentation, and he had been a friend of Miss Leigh's for many
years. Innocent loved going to his studio whenever her "godmother"
would take her, and he, in his turn, found interest and amusement in
talking to a girl who showed such a fresh, simple and unworldly nature,
united to intelligence and perception far beyond her years. On the
particular evening in question the studio was full of notable
people,--not uncomfortably crowded, but sufficiently so as to compose a
brilliant effect of colour and movement--beautiful women in wonderful
attire fluttered to and fro like gaily-plumaged birds among the
conventionally dark-clothed men who stood about in that aimless fashion
they so often affect when disinclined to talk or to make themselves
agreeable,--and there was a pleasantly subdued murmur of
voices,--cultured voices, well-attuned, and incapable of breaking into
the sheep-like snigger or asinine bray. Innocent, keeping close beside
her "god-mother," watched the animated scene with happy interest,
unconscious that many of those present watched her in turn with a good
deal of scarcely restrained curiosity. For, somehow or other, rumour
had whispered a flying word or two that it was possible she--even
she--that young, childlike-looking creature--might be, and probably was
the actual author of the clever book everybody was talking about, and
though no one had the hardihood to ask her point-blank if the report
was true, people glanced at her inquisitively and murmured their
"asides" of suggestion or incredulity, finding it difficult to believe
that a woman could at any time or by any means, alone and unaided,
snatch one flower from the coronal of fame. She looked very fair and
sweet and NON-literary, clad in a simple white gown made of some softly
clinging diaphanous material, wholly unadorned save by a small posy of
natural roses at her bosom,--and as she stood a little apart from the
throng, several artists noticed the grace of her personality--one
especially, a rather handsome man of middle age, who gazed at her
observantly and critically with a frank openness which, though bold,
was scarcely rude.
Public-domain text, read in full here on John Shaqi.
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