Odd fancies about her dead mother came to her when she was alone in her
own room--particularly at night when she said her prayers. Some
mysterious force seemed compelling her to offer up a petition for the
peace of her mother's soul,--she knew from the old books written by the
"Sieur Amadis" that to do this was a custom of his creed. She missed it
out of the Church of England Prayer-book, though she dutifully followed
the tenets of the faith in which Miss Leigh had had her baptised and
confirmed--but in her heart of hearts she thought it good and right to
pray for the peace of departed souls--
"For who can tell"--she would say to herself--"what strange confusion
and sorrow they may be suffering!--away from all that they once knew
and cared for! Even if prayers cannot help them it is kind to pray!"
And for her mother's soul she felt a dim and far-off sense of
pity--almost a fear, lest that unsatisfied spirit might be lost and
wandering in a chaos of dark experience without any clue to guide or
any light to shine upon its dreadful solitude. So may the dead come
nearer to the living than when they also lived!
Some three or four weeks after Lady Blythe's sudden exit from a world
too callous to care whether she stayed in it or went from it, Lord
Blythe called at Miss Leigh's house and asked to see her. He was
admitted at once, and the pretty old lady came down in a great flutter
to the drawing-room to receive him. She found him standing in front of
the harpsichord, looking at the portrait upon it. He turned quickly
round as she entered and spoke with some abruptness.
"I must apologise for calling rather late in the afternoon," he
said--"But I could not wait another day. I have something important to
tell you--" He paused--then went on--"It's rather startling to me to
find that portrait here!--I knew the man. Surely it is Pierce Armitage,
the painter?"
"Yes"--and Miss Leigh's eyes opened in a little surprise and
bewilderment--"He was a great friend of mine--and of yours?" "He was my
college chum"--and he walked closer to the picture and looked at it
steadfastly--"That must have been taken when he was quite a young
man--before--" He paused again,--then said with a forced
smile--"Talking of Armitage--is Miss Armitage in?"
"No, she is not"--and the old lady looked regretful--"She has gone out
to tea--I'm sorry--"
"It's just as well"--and Lord Blythe took one or two restless paces up
and down the little room--"I would rather talk to you alone first.
Yes!--that portrait of Pierce must have been taken in early days--just
about the time he ran away with Maude Osborne--"
Miss Leigh gazed at him enquiringly.
"With Maude Osborne?"
"Yes--with Maude Osborne, who afterwards became my wife."
Miss Leigh trembled and drew back, looking about her in a dazed way as
though seeking for some place to hide in. Lord Blythe saw her agitation.
Public-domain text, read in full here on John Shaqi.
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