and capable of overthrowing many a stronger citadel than the tender
heart of a sensitive girl like Innocent, who by a most curious
mischance had been associated all her life with the romance of his
medieval name and lineage.
"Yes--of course she must come out here," Blythe decided, after a few
minutes' cogitation. "I'll send a wire to Miss Leigh this morning and
follow it up by a letter to the child herself, urging her to join me.
The change and distraction will perhaps save her from too much
association with Jocelyn,--I do not trust that man--never have trusted
him! Poor little girl! She shall not have her spirit broken if I can
help it."
He stayed yet another few minutes at the open window, and taking out a
cigar from his case began to light it. While doing this his eye was
suddenly caught by the picturesque, well-knit figure of a man sitting
easily on a step near the clustering boats gathered close to the
hotel's special landing place. He was apparently one of the many
road-side artists one meets everywhere about the Italian Lakes, ready
to paint a sunset or moonlight on Como or Maggiore on commission at
short notice for a few francs. He was not young--his white hair and
grizzled moustache marked the unpleasing passage of resistless
time,--yet there was something lissom and graceful about him that
suggested a kind of youth in age. His attire consisted of much worn
brown trousers and a loose white shirt kept in place by a red
belt,--his shirt sleeves were rolled up to the elbow, displaying thin
brown muscular arms, expressive of energy, and he wore a battered brown
hat which might once have been of the so-called "Homburg" shape, but
which now resembled nothing ever seen in the way of ordinary head-gear.
He was busily engaged in sketching a view of the lake and the opposite
mountains, evidently to the order of some fashionably dressed women who
stood near him watching the rapid and sure movements of his brush--he
had his box of water-colours beside him, and smiled and talked as he
worked. Lord Blythe watched him with lively interest, while enjoying
the first whiffs of his lately lit cigar.
"A clever chap, evidently!" he thought. "These Italians are all artists
and poets at heart. When those women have finished with him I'll get
him to do a sketch for me to send to Innocent--just to show her the
loveliness of the place. She'll be delighted! and it may tempt her to
come here."
He waited a few minutes longer, till he saw the artist hand over the
completed drawing to his lady patrons, one of whom paid him with a
handful of silver coin. Something in the bearing and attitude of the
man as he rose from the step where he had been seated and lifted his
shapeless brown hat to his customers in courteous acknowledgment of
their favours as they left him, struck Blythe with an odd sense of
familiarity.
"I must have seen him somewhere before," he thought. "In Venice,
perhaps--or Florence--these fellows are like gipsies, they wander about
everywhere."
Public-domain text, read in full here on John Shaqi.
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