The fair head fell passively back against his shoulder with all its
wealth of rippling hair--the fragile form he clasped was helpless,
lifeless, breathless!--and with a great shuddering sob of agony, he
realised the full measure of his life's despair. Innocent was
dead!--and for her, as for the "Sieur Amadis," the quaint words shining
above her in the morning sunlight were aptly fitted--
"Who here seekynge Forgetfulness Did here fynde Peace!"
. . . . . . .
Many things in life come too late to be of rescue or service, and
justice is always tardy in arrival. Too late was Pierce Armitage, after
long years of absence, to give his innocent child the simple heritage
of a father's acknowledgment; he could but look upon her dead face and
lay flowers on her in her little coffin. The world heard of the sudden
death of the young and brilliant writer with a faintly curious
concern--but soon forgot that she had ever existed. No one knew, no one
guessed the story of her love for the French painter, Amadis de
Jocelyn--he was abroad at the time of her death, and only three persons
secretly connected him with the sorrow of her end--and these were Lord
Blythe, Miss Leigh and Robin Clifford. Yet even these said nothing,
restrained by the thought of casting the smallest scandal on the sweet
lustre of her name. And Amadis de Jocelyn himself?--had he no
regret?--no pity? If the truth must be told, he was more relieved than
pained,--more flattered than sorry! The girl had died for
him,--well!--that was more or less a pleasing result of his power! She
was a silly child--obsessed by a "fancy"--it was not his fault if he
could not live up to that "fancy"--he liked "facts." His picture of her
was the success of the Salon that year, and he was admired and
congratulated,--this was enough for him.
"One of your victims, Amadis?" asked a vivacious society woman he knew,
critically studying the portrait on the first day of its exhibition.
He nodded, smilingly.
"Really? And yet--Innocent?"
He nodded again.
"Very much so! She is dead!"
. . . . . . .
Public-domain text, read in full here on John Shaqi.
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