But it may be doubted whether the boundary of the justifiable was not crost, when the same stage-manager had the duel-scene of 'Romeo and Juliet' take place in an open square, with its raised fountain not far from the porch of the cathedral, so that _Mercutio_ might be able to point right and left when he declared that his wound would serve, altho it was not "as deep as a well or as wide as a church-door." Pretty as this is and clever, it seems a little petty. To suggest that _Mercutio_ was in need of visible promptings for his fancy, is to diminish the quick-wittedness of Shakspere's wittiest character. Yet, either of these instances will serve to show the searching thoroness with which the stage-manager seeks to project the whole performance in all its minor details, having combined in advance the gestures of the several actors, the movements of each in relation to those of the others, the properties they make use of, and the scenery in the midst of which they play their parts. Altho the scenery, the properties and the costumes are designed by different artists, it is the duty of the stage-manager to control them all, to see that they are harmonious with each other, and that they are subdued to the atmosphere of the "production" as a whole. He subordinates now one and now another, that he may attain the more fitting contrast. Mr. Bronson Howard was one of the authors of 'Peter Stuyvesant, Governor of New Amsterdam,' and to his skilful direction the "production" of the play was committed. The first act took place in a Dutch garden ablaze with autumn sunshine; and, therefore, all the costumes seen in that act were grays and greens and drabs of a proper Dutch sobriety. The second act presented the New-Year's reception at night in the _Governor's_ house, and then the costumes were rich and varied, so that they might stand out against the somber oak of the spacious hall.