Inquiries into human faculty and its developmentGalton, Francis
Science
Inquiries into human faculty and its development
Galton, Francis
Ability; Eugenics
"Having obtained drawings or photographs of several persons alike in
most respects, but differing in minor details, what sure method is
there of extracting the typical characteristics from them? I may
mention a plan which had occurred both to Mr. Herbert Spencer and
myself, the principle of which is to superimpose optically the
various drawings, and to accept the aggregate result. Mr. Spencer
suggested to me in conversation that the drawings reduced to the
same scale might be traced on separate pieces of transparent paper
and secured one upon another, and then held between the eye and the
light. I have attempted this with some success. My own idea was to
throw faint images of the several portraits, in succession, upon the
same sensitised photographic plate. I may add that it is perfectly
easy to superimpose optically two portraits by means of a stereoscope,
and that a person who is used to handle instruments will find a
common double eyeglass fitted with stereoscopic lenses to be almost
as effectual and far handier than the boxes sold in shops."
Mr. Spencer, as he informed me, had actually devised an instrument,
many years ago, for tracing mechanically, longitudinal, transverse,
and horizontal sections of heads on transparent paper, intending to
superimpose them, and to obtain an average result by transmitted
light.
Since my address was published, I have caused trials to be made, and
have found, as a matter of fact, that the photographic process of
which I there spoke enables us to obtain with mechanical precision a
generalised picture; one that represents no man in particular, but
portrays an imaginary figure possessing the average features of any
given group of men. These ideal faces have a surprising air of
reality. Nobody who glanced at one of them for the first time would
doubt its being the likeness of a living person, yet, as I have said,
it is no such thing; it is the portrait of a type and not of an
individual.
Public-domain text, read in full here on John Shaqi.
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