Inquiries into human faculty and its developmentGalton, Francis
Science
Inquiries into human faculty and its development
Galton, Francis
Ability; Eugenics
The process of composite portraiture is one of pictorial statistics.
It is a familiar fact that the average height of even a dozen men of
the same race, taken at hazard, varies so little, that for ordinary
statistical purposes it may be considered constant. The same may be
said of the measurement of every separate feature and limb, and of
every tint, whether of skin, hair, or eyes. Consequently a pictorial
combination of any one of these separate traits would lead to
results no less constant than the statistical averages. In a portrait,
there is another factor to be considered besides the measurement of
the separate traits, namely, their relative position; but this, too,
in a sufficiently large group, would necessarily have a statistical
constancy. As a matter of observation, the resemblance between
persons of the same "genus" (in the sense of "generic," as already
explained) is sufficiently great to admit of making good pictorial
composites out of even small groups, as has been abundantly shown.
Composite pictures, are, however, much more than averages; they are
rather the equivalents of those large statistical tables whose totals,
divided by the number of cases, and entered in the bottom line, are
the averages. They are real generalisations, because they include
the whole of the material under consideration. The blur of their
outlines, which is never great in truly generic composites, except
in unimportant details, measures the tendency of individuals to
deviate from the central type. My argument is, that the generic
images that arise before the mind's eye, and the general impressions
which are faint and faulty editions of them, are the analogues of
these composite pictures which we have the advantage of examining at
leisure, and whose peculiarities and character we can investigate,
and from which we may draw conclusions that shall throw much light
on the nature of certain mental processes which are too mobile and
evanescent to be directly dealt with.
III. COMPOSITE PORTRAITURE.
[_Read before the Photographic Society, 24th June, 1881_.]
I propose to draw attention to-night to the results of recent
experiments and considerable improvements in a process of which I
published the principles three years ago, and which I have
subsequently exhibited more than once.
Public-domain text, read in full here on John Shaqi.
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