Insect life: Souvenirs of a naturalistFabre, Jean-Henri
Science
Insect life: Souvenirs of a naturalist
Fabre, Jean-Henri
Insects -- Biology
Nine months pass, during which a work is done which is quite hidden. I
pass over this period, occupied by the unknown mystery of
transformation, and to come to the nymph, go from the end of September
to the first days of the following July. The larva has thrown aside its
faded vestment, and the chrysalis, a transitory organisation, or
rather, a perfect insect in swaddling bands, awaits motionless the
awakening which is still a month off. Feet, antennæ, the visible
portions of the mouth, and the undeveloped wings, look like clearest
crystal, and are regularly spread out under the thorax and abdomen. The
rest of the body is of an opaque white, slightly tinged with yellow;
the four intermediary segments of the abdomen show on either side a
narrow, blunt prolongation; the last segment has above a blade-like
termination, shaped like the section of a circle, furnished below with
two conical protuberances, side by side, thus making in all eleven
appendages starring the contour of the abdomen. Such is the delicate
creature which, to become a Sphex, must assume a particoloured livery
of black and red, and throw off the fine skin which swaddles it so
closely.
I have been curious to follow day by day the progress and coloration of
the chrysalid, and to experiment whether sunlight—that rich palette
whence Nature draws her colours—could influence their progress. With
this aim I have taken chrysalids out of their cocoon and kept them in
glass tubes, where some, in complete darkness, realised natural
conditions, while others, hung up against a white wall, were all day
long in a strong light. These diametrically opposed conditions did not
affect the colouring, or if there were some slight difference, it was
to the disadvantage of those exposed to light. Quite unlike to what
occurs with plants, light does not influence insect-colouring, nor even
quicken it. It must be so, since in the species most gifted with
splendid colour—Buprestids and Carabids for instance—the wonderful hues
that would seem stolen from a sunbeam are really elaborated in
darkness, deep in the ground, or in the decayed trunk of some aged
tree.
Public-domain text, read in full here on John Shaqi.
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