Mexico -- History -- 1910-1946; Mexico -- History -- Revolution, 1910-1920
We went, then, to Don Pedro’s, down a steep, uneven street, stopped
every few feet by boisterous bankrupts who wanted to know where a man
could establish credit for liquor. Don Pedro’s was a considerable
house, for he was the village rich man. The open square which his
buildings enclosed would have been a corral ordinarily; but Don Pedro
could afford a patio, and it was full of fragrant shrubs and barrel
cacti,—a rude fountain pouring from an old iron pipe in the center. The
entrance to this was a narrow, black archway, in which sat the town
orchestra playing. A pine torch was stuck by its pitch against the
outside wall, and under this a man took up fifty-cent pieces for the
entrance fee. We watched for some time, but nobody seemed to be paying
anything. A clamorous mob stood around him, pleading special
privilege—that they ought to get in free. One was Don Pedro’s cousin;
another his gardener; a third had married the daughter of his
mother-in-law by his first marriage; one woman insisted that she was the
mother of a performer. There were other entrances at which no guardian
stood; and through these, when they found themselves unable to cajole
the gentleman at the main door, the crowd placidly sifted. We paid our
money amid an awed silence and entered.
White, burning moonlight flooded the place. The patio sloped upward
along the side of the mountain, where there was no wall to stop the view
of great planes of shining upland, tilted to meet the shallow jade sky.
To the low roof of the house a canopy of canvas drooped out over a flat
place, supported by slanting poles, like the pavilion of a Bedouin king.
Its shadow cut the moonlight blacker than night. Six torches stuck in
the ground around the outside of the place sent up thin lines of pitchy
smoke. There was no other light under the canopy, except the restless
gleams of innumerable cigarettes. Along the wall of the house stood
black-robed women with black mantillas over their heads, the men-folks
squatting at their feet. Wherever there was space between their knees
were children. Men and women alike smoked their cigarros, handing them
placidly down so that the little ones might take a puff. It was a quiet
audience, speaking little and softly, perfectly content to wait,
watching the moonlight in the patio, and listening to the music, which
sounded far away in the arch. A nightingale burst into song somewhere
among the shrubs, and all of us fell ecstatically silent, listening to
it. Small boys were dispatched to tell the band to stop while the song
went on. That was very exciting.
Public-domain text, read in full here on John Shaqi.
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