Mexico -- History -- 1910-1946; Mexico -- History -- Revolution, 1910-1920
"Unburden and welcome," said _Bato_, "until thou art tired. As for me,
I shall put such a knot in my tongue that even shouldst thou chatter
like a parrot I shall be mute." He seated himself on a large rock and
pretended to sleep; and then for fifteen minutes _Arcadio_ unburdened
himself to the mountains and the stars.
"Oh, _Laura_, inconstant, ungrateful and inhuman, why hast thou caused
me such woe? Thou hast wounded my faith and my honor and hast put my
soul in torment. Why dost thou mock my ardent love? Oh, thou steep
stills and towering mountains, help me to express my woe! And thou,
stern, immovable cliffs, and thou, silent woods, help me to ease my
heart of its pain...."
Amid heartfelt and sympathetic silence the audience mourned with
_Arcadio_. A few women sobbed openly.
Finally _Bato_ could stand it no longer.
"Let us go to supper," he said. "Better it is to suffer a little at a
time!"
A perfect gale of laughter cut off the end of the sentence.
_Arcadio_: "To thee only, _Bato_, have I confided my secret."
_Bato_ (aside): "I do not believe I can keep it! Already my mouth itches
to tell it. This fool will learn that ’a secret and a pledge to none
should be entrusted.’"
Enter a group of shepherds with their shepherdesses, singing. They were
dressed in their feminine Sunday best with flowery summer hats, and
carried enormous wooden apostolic crooks, hung with paper flowers and
strings of bells.
_"Beautiful is this night beyond compare,—_
_Beautiful and peaceful as never before,_
_And happy the mortal who beholds it._
_Everything proclaims that the Son of God,_
_The Word Divine made human flesh,_
_Will soon be born in Bethlehem_
_And mankind’s ransom be complete."_
Then followed a dialogue between ninety-year-old, miserly _Fabio_ and
his sprightly young wife, to which all present contributed, upon the
subject of the great virtues of women and the great failings of men.
The audience joined violently in the discussion, hurling the words of
the play back and forward—men and women drawing together in two solid
hostile bodies. The women were supported by the words of the play, but
the men had the conspicuous example of _Laura_ to draw from. It passed
soon into an argument about the virtues and failings of certain married
couples in El Oro. The play suspended for some time.
Public-domain text, read in full here on John Shaqi.
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