Mexico -- History -- 1910-1946; Mexico -- History -- Revolution, 1910-1920
The fact that Villa hates useless pomp and ceremony makes it more
impressive when he does appear on a public occasion. He has the knack
of absolutely expressing the strong feeling of the great mass of the
people. In February, exactly one year after Abram Gonzales was murdered
by the Federals at Bachimba Cañon, Villa ordered a great funeral
ceremony to be held in the City of Chihuahua. Two trains, carrying the
officers of the army, the consuls and representatives of the foreign
colony, left Chihuahua early in the morning to take up the body of the
dead Governor from its resting-place under a rude wooden cross in the
desert. Villa ordered Major Fierro, his Superintendent of Railroads, to
get the trains ready—but Fierro got drunk and forgot; and when Villa and
his brilliant staff arrived at the railway station the next morning the
regular passenger train to Juarez was just leaving and there was no
other equipment on hand. Villa himself leaped on to the already moving
engine and compelled the engineer to back the train up to the station.
Then he walked through the train, ordering the passengers out, and
switched it in the direction of Bachimba. They had no sooner started
than he summoned Fierro before him and discharged him from the
superintendency of the railroads, appointing Calzado in his place, and
ordered the latter to return at once to Chihuahua and be thoroughly
informed about the railroads by the time he returned. At Bachimba Villa
stood silently by the grave with the tears rolling down his cheeks. For
Gonzales had been his close friend. Ten thousand people stood in the
heat and dust at Chihuahua railway station when the funeral train
arrived, and poured weeping through the narrow streets behind the army,
at the head of which walked Villa beside the hearse. His automobile was
waiting, but he angrily refused to ride, stumbling stubbornly along in
the dirt of the streets with his eyes on the ground.
Public-domain text, read in full here on John Shaqi.
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