International Congress of Arts and Science, Volume 1: Philosophy and Metaphysics
Philosophy
International Congress of Arts and Science, Volume 1: Philosophy and Metaphysics
Conference proceedings; Medicine -- Congresses; Science and the humanities -- Congresses; Technology -- Congresses
The St. Louis World's Fair promised, through the vast extent of its
grounds, through the beautiful plans of the buildings, through the
eagerness of the United States, through the participation of all
countries on earth, and through the gigantic outlines of the internal
plans, to become the most monumental expression of the energies with
which the twentieth century entered on its course. Commerce and
industry, art and social work, politics and education, war and peace,
country and city. Orient and Occident, were all to be focussed for a few
summer months in the ivory city of the Mississippi Valley. It seemed
most natural that science and productive scholarship should also find
its characteristic place among the factors of our modern civilization.
Of course the scientist had his word to say on almost every square foot
of the Exposition. Whether the building was devoted to electricity or to
chemistry, to anthropology or to metallurgy, to civic administration or
to medicine, to transportation or to industrial arts, it was everywhere
the work of the scientist which was to win the triumph; and the Palace
of Education, the first in any universal exposition, was to combine
under its roof not only the school work of all countries, but the
visible record of the world's universities and technical schools as
well. And yet it seemed not enough to gather the products and records of
science and to make science serve with its tools and inventions. Modern
art, too, was to reign over every hall and to beautify every palace, and
yet demanded its own unfolding in the gallery of paintings and
sculptures. In the same way it was not enough for science to penetrate a
hundred exhibitions and turn the wheels in every hall, but it must also
seek to concentrate all its energies in one spot and show the
cross-section of human knowledge in our time, and, above all, its own
methods.
An exhibition of scholarship cannot be arranged for the eyes. The great
work which grows day by day in quiet libraries and laboratories, and on
a thousand university platforms, can express itself only through words.
Yet heaped up printed volumes would be dead to a World's Fair spectator;
how to make such words living was the problem. Above all, scholarship
does not really exhibit its methods, if it does not show itself in
production. It is no longer scholarship which speaks of a truth-seeking
that has been performed instead of going on with the search for further
truth. If the world's science was to be exhibited, a form had to be
sought in which the scholarly work on the spot would serve the ideals of
knowledge, would add to the storehouse of truth, and would thus work in
the service of human progress at the same moment in which it contributed
to the completeness of the exhibition.
Public-domain text, read in full here on John Shaqi.
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