International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850Various
Science
International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
Even if Ireneus had not willingly accepted the plan worked out for the
Employment of his leisure in study, the rigorous climate of Sweden would,
in some manner, have made it compulsory for him to do so. To the cold and
dry days, which, during the winter, enlightened and animated the people
of the north, succeeded storms and hurricanes. Tempests of snow floated
in the air, covered the paths, and blocked up the doors of the houses. A
cloudy horizon and black sky seemed to close around every house, like a
girdle of iron. At a little distance not even a hill could be
distinguished from a forest; all was, as it were, drowned and overwhelmed
in a misty ocean, in movable columns of snow, which were impetuous, and
irresistible as the sand-whirlpools of the desert. About midday a light
purple tint, like a dying twilight, glittered in somber space: a ray
thrown by the sun across the clouds, gave an uncertain light. All,
however, soon became dark again. One might have fancied that the god of
day had retired over-wearied from regions he had in vain attempted to
subdue. Nowhere does the symbolical dogma of the contests of darkness
and light manifest itself in more characteristic traits than in the
Scandinavian mythology; and nowhere does it appear physically under a
more positive image than in the regions which have been for centuries
devoted to this mythology. During the summer at the north, the sun reigns
like an absolute sovereign over nature, and ceaselessly lights it with
his crown of fire; he ever watches it, like a jealous lover. If he
inclines toward the horizon, if his burning disk disappears behind the
purple mountain brows, he leaves for only a moment those polar regions,
and leaves even then a clearness behind like the dawn. He soon reappears
in his spotless splendor.
Public-domain text, read in full here on John Shaqi.
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