International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850Various
Science
International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
The French Society of Geography have just given their grand gold medal to
two brothers, Antoine and Arnaud d'Abadie, for the progress which
geography has received from their travels in Abyssinia, which were begun
in 1837 and finished in 1848. This period they spent in exploring
together, not only Abyssinia, but the whole eastern part of Africa. Their
enterprise was wholly at their own expense, and was undertaken from the
love of science and adventure.
* * * * *
The French Government are now publishing at Algiers the History of the
Berbers, by Ibn Chaldun, the greatest of Arabian historians. It is
printed in quarto form, with the types of the National Printing
Establishment, sent from Paris for the purpose. The French translation
will appear as soon as the second volume of the original, which is now
in press, is completed.
* * * * *
[From Fraser's Magazine.]
MADAME DE POMPADOUR.
In the gallery of the Louvre at Paris there is, or was some few years
ago, a crayon drawing by La Tour, which represents Madame de Pompadour in
all the pride and luster of her early beauty. The marchioness is seated
near a table covered with books and papers, among which may be
distinguished Montesquieu's _Spirit of Laws_ and the _Encyclopædia_, two
of the remarkable works which appeared during her reign of favor. An open
album shows an engraving of Gay, chiseling some portrait of Louis XV., or
his mistress. The marchioness is represented with her hair slightly
powdered; she is clad in an open, flowered brocade robe, and wears
red-heeled shoes, of a delicacy, as regards size, worthy of an Oriental
foot. In this portrait there is much to admire: the neck, which is
slender and well-shaped, springs most gracefully from the shoulders; the
head, which is also admirably proportioned, is a model of feminine
beauty; the brow is lofty and severe; the lips, slightly compressed,
express at the same time decision and irony; the eyes are of a most vivid
brilliancy, and the nose is perfection itself: in short, there reigns
throughout every lineament of this most striking countenance an air of
nobility, and even of dignity, which qualifies in some measure the
accounts left us by history of the share she bore in the _petits soupers_
of Versailles, the masked balls of the Hôtel de Ville, and the thousand
other orgies got up for the entertainment of the most dissolute monarch
of (at that period) one of the most dissolute courts of Europe.
Public-domain text, read in full here on John Shaqi.
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