International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850Various
Science
International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
He had not been long in New York before he was engaged by Mr. Willis and
General Morris as a critic and assistant editor of _The Mirror_. He
remained in this situation about six months, when he became associated
with Mr. Briggs in the conduct of _The Broadway Journal_, which, in
October 1845, passed entirely into his possession. He had now the long
sought but never before enjoyed absolute control of a literary gazette,
and, with much friendly assistance, he maintained it long enough to show,
that whatever his genius, he had not the kind or degree of talent
necessary to such a position. His chief critical writing in _The Broadway
Journal_, were a paper on Miss Barrett's Poems, and a long discussion of
the subject of plagiarism, with especial reference to Mr. Longfellow. In
March, 1845, he had given a lecture at the Society Library upon the
American poets, composed, for the most part, of fragments of his
previously published reviewals; and in the autumn he accepted an
invitation to read a poem before the Boston Lyceum. A week after the
event, he printed in _The Broadway Journal_ the following account of it,
in reply to a paragraph in one of the city papers, founded upon a
statement in the _Boston Transcript_.
"Our excellent friend, Major Noah, has suffered himself to be cajoled by
that most beguiling of all beguiling little divinities, Miss Walter, of
_The Transcript_. We have been looking all over her article with the aid
of a taper, to see if we could discover a single syllable of truth in
it--and really blush to acknowledge that we cannot. The adorable creature
has been telling a parcel of fibs about us, by way of revenge for
something that we did to Mr. Longfellow (who admires her very much) and
for calling her 'a pretty little witch' into the bargain. The facts of
the case seem to be these: We _were_ invited 'deliver'(stand and deliver)
a poem before the Boston Lyceum. As a matter of course, we accepted the
invitation. The audience was 'large and distinguished.' Mr Cushing[B]
preceded us with a very capital discourse. He was much applauded. On
arising we were most cordially received. We occupied some fifteen minutes
with an apology for not 'delivering,' as is usual in such cases, a
didactic poem: a didactic poem, in our opinion, being precisely no poem
at all. After some farther words--still of apology--for the
'indefiniteness' and 'general imbecility' of what we had to offer--all
so unworthy a _Bostonian_ audience--we commenced, and with many
interruptions of applause, concluded. Upon the whole, the approbation was
considerably more (the more the pity too) than that bestowed upon Mr.
Cushing. When we had made an end the audience of course arose to depart;
and about one-tenth of them, probably, had really departed, when Mr.
Coffin, one of the managing committee, arrested those who remained, by
the announcement that we had been requested to deliver 'The Raven.' We
delivered 'The Raven' forthwith--(without taking a receipt)--were very
Public-domain text, read in full here on John Shaqi.
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