International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850Various
Science
International Miscellany of Literature, Art and Science, Vol. 1,: No. 3, Oct. 1, 1850
Various
Art -- Periodicals; Literature -- Periodicals; Science -- Periodicals
"But it was in his conversations and his letters, far more than in his
published poetry and prose writings, that the genius of Poe was most
gloriously revealed. His letters were divinely beautiful, and for hours I
have listened to him, entranced by strains of such pure and almost
celestial eloquence as I have never read or heard elsewhere. Alas! in the
thrilling words of Stoddard,
"'He might have soared in the morning light,
But he built his nest with the birds of night;
But he lie in dust, and the stone is rolled
Over the sepulcher dim and cold;
He has canceled the ill he has done or said,
And gone to the dear and holy dead.
Let us forget the path he trod,
And leave him now to his Maker, God.'"
The influence of Mr. Poe's aims and vicissitudes upon his literature, was
more conspicuous in his later than in his earlier writings. Nearly all
that he wrote in the last two or three years--including much of his best
poetry,--was in some sense biographical: in draperies of his imagination,
those who take the trouble to trace his steps, will perceive, but
slightly concealed, the figure of himself. The lineaments here disclosed,
I think, are not different from those displayed in his biography, which
is but a filling up of the picture. Thus far the few criticisms of his
life or works that I have ventured have been suggested by the immediate
examination of the points to which they referred. I add but a few words
of more general description.
In person he was below the middle height, slenderly but compactly formed,
and in his better moments he had in an eminent degree that air of
gentlemanliness which men of a lower order seldom succeed in acquiring.
His conversation was at times almost supramortal in its eloquence. His
voice was modulated with astonishing skill, and his large and variably
expressive eyes looked repose or shot fiery tumult into theirs who
listened, while his own face glowed, or was changeless in pallor, as his
imagination quickened his blood or drew it back frozen to his heart. His
imagery was from the worlds which no mortals can see but with the vision
of genius. Suddenly starting from a proposition, exactly and sharply
defined, in terms of utmost simplicity and clearness, he rejected the
forms of customary logic, and by a crystalline process of accretion,
built up his ocular demonstrations in forms of gloomiest and ghastliest
grandeur, or in those of the most airy and delicious beauty--so minutely
and distinctly, yet so rapidly, that the attention which was yielded to
him was chained till it stood among his wonderful creations--till he
himself dissolved the spell, and brought his hearers back to common and
base existence, by vulgar fancies or exhibitions of the ignoblest
passion.
Public-domain text, read in full here on John Shaqi.
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