I was born in the old place where my father, and his father, and all
his predecessors had been born, beyond the memory of man. It is a very
old house, and the greater part of it was originally a castle, strongly
fortified, and surrounded by a steep moat supplied with abundant water
from the hills by a hidden aqueduct. Many of the fortifications have
been destroyed, and the moat has been filled up. The water from the
aqueduct supplies great fountains, and runs down into huge oblong
basins in the terraced gardens, one below the other, each surrounded by
a broad pavement of marble between the water and the flower-beds. The
waste surplus finally escapes through an artificial grotto, some thirty
yards long, into a stream, flowing down through the park to the meadows
beyond, and thence to the distant river. The buildings were extended a
little and greatly altered more than two hundred years ago, in the time
of Charles II., but since then little has been done to improve them,
though they have been kept in fairly good repair, according to our
fortunes.
In the gardens there are terraces and huge hedges of box and evergreen,
some of which used to be clipped into shapes of animals, in the Italian
style. I can remember when I was a lad how I used to try to make out
what the trees were cut to represent, and how I used to appeal for
explanations to Judith, my Welsh nurse. She dealt in a strange
mythology of her own, and peopled the gardens with griffins, dragons,
good genii and bad, and filled my mind with them at the same time. My
nursery window afforded a view of the great fountains at the head of
the upper basin, and on moonlight nights the Welshwoman would hold me
up to the glass and bid me look at the mist and spray rising into
mysterious shapes, moving mystically in the white light like living
things.
"It's the Woman of the Water," she used to say; and sometimes she would
threaten that if I did not go to sleep the Woman of the Water would
steal up to the high window and carry me away in her wet arms.
[Illustration: F. Hopkinson Smith]
Public-domain text, read in full here on John Shaqi.
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