"A slight change in your ideas since that remarkable performance of
yours in Paris," said Margaret. "Do you know, I thought you were the
most extraordinary man I had ever met."
"I thought you were the most charming woman I had ever seen. I
naturally did not want to lose any time in frivolities. I took you at
your word, I followed your advice, I asked you to marry me, and this is
the delightful result--what's the matter?"
Margaret had started suddenly, and her hand tightened on my arm. An
old woman was coming up the path, and was close to us before we saw
her, for the moon had risen, and was shining full in our faces. The
woman turned out to be my old nurse.
"It's only Judith, dear--don't be frightened," I said. Then I spoke to
the Welshwoman: "What are you about, Judith? Have you been feeding the
Woman of the Water?"
"Ay--when the clock strikes, Willie--my Lord, I mean," muttered the old
creature, drawing aside to let us pass, and fixing her strange eyes on
Margaret's face.
"What does she mean?" asked Margaret, when we had gone by.--"Nothing,
darling. The old thing is mildly crazy, but she is a good soul."
We went on in silence for a few moments, and came to the rustic bridge
just above the artificial grotto through which the water ran out into
the park, dark and swift in its narrow channel. We stopped, and leaned
on the wooden rail. The moon was now behind us, and shone full upon
the long vista of basins and on the huge walls and towers of the Castle
above.--"How proud you ought to be of such a grand old place!" said
Margaret, softly.
"It is yours now, darling," I answered. "You have as good a right to
love it as I--but I only love it because you are to live in it, dear."
Her hand stole out and lay on mine, and we were both silent. Just then
the clock began to strike far off in the tower. I
counted--eight--nine--ten--eleven--I looked at my
watch--twelve--thirteen--I laughed. The bell went on striking.
"The old clock has gone crazy, like Judith," I exclaimed. Still it
went on, note after note ringing out monotonously through the still
air. We leaned over the rail, instinctively looking in the direction
whence the sound came. On and on it went. I counted nearly a hundred,
out of sheer curiosity, for I understood that something had broken and
that the thing was running itself down.
Suddenly there was a crack as of breaking wood, a cry and a heavy
splash, and I was alone, clinging to the broken end of the rail of the
rustic bridge.
Public-domain text, read in full here on John Shaqi.
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