In appearance he was a man of middle height, with a long scraggy neck
and a large head, which gave him the air of being much shorter than he
really was; he had little, weak eyes, a nose and mouth of no particular
shape, and very smooth hair of no definite color. He had a timid,
deprecating air, which seemed due to the consciousness that he was an
uninteresting anomaly, and he certainly was as impervious to the
ordinary influence of his surroundings as any undergraduate well could
be. He lived a colorless, aimless life in his little rooms under the
roof, reading every morning from nine till two with a superstitiously
mechanical regularity, though very often his books completely failed to
convey any ideas whatever to his brain, which was not a particularly
powerful organ.
If the afternoon was fine he generally sought out his one friend, who
was a few degrees less shy than himself, and they took a monosyllabic
walk together; or if it was wet, he read the papers at the Union, and
in the evening after hall he studied "general literature" (a graceful
term for novels) or laboriously spelt out a sonata upon his piano--a
habit which did not increase his popularity.
Fortunately for Flushington, he had no gyp, or his life might have been
made a positive burden to him, and with his bedmaker he was rather a
favorite as "a gentleman what gave no trouble"--meaning that, when he
observed his sherry unaccountably sinking, like the water in a lock
when the sluices are up, Flushington was too delicate to refer to the
phenomenon.
He was sitting one afternoon over his modest lunch of bread and butter,
potted meat and lemonade, when all at once he heard a sound of unusual
voices and a strange flutter of dresses coming up the winding stone
staircase outside, and was instantly seized with a cold dread.
There was no particular reason for being alarmed, although there were
certainly ladies mounting the steps. Probably they were friends of the
man opposite, who was always having his people up; but still
Flushington had that odd presentiment which nervous people have
sometimes that something unpleasant is on its way to them, and he half
rose from his chair to shut his outer oak.
It was too late; the dresses were rustling now in his very passage;
there was a pause, a few faint, smothered laughs and little feminine
coughs--then two taps at the door.
Public-domain text, read in full here on John Shaqi.
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